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concept Updated 2026-08-24 Topics: Technology

AI Video Production Workflow

EP277 对话贾樟柯（下）：我没有背叛真实世界，我只是在寻找电影的新可能 adds 贾樟柯’s film-industry version. He distinguishes AI from the film-to-digital shift: digital changed the carrier, while AI could change the production method by unsettling cameras, sound recorders, actors, crews, prompting roles, and the selection labor around generated images.

Open Source Wins, AGI Is Here, and Scorsese’s AI Toolkit with CEOs of Cerebras & Black Forest Labs adds the professional ideation and launch-video branch through Robin Rombach and Black Forest Labs. The source treats Martin Scorsese’s use as visual ideation, then extends the workflow to storyboarding, startup launch videos, AI-generated scenery, and IP-owner model partnerships.

AI video production workflow is the practical process by which 266.从红果到AI短剧：谁在革谁的命？ says short-drama creators turn scripts and images into watchable AI video. The workflow includes story selection, scriptwriting, prompt writing, image generation, repeated video-generation “draws,” editing, voice/subtitle work, and director-like coordination across tools.

The source’s important point is that Video Models reduce the need for actors, sets, costumes, and shooting days, but they do not make production automatic. The cost center shifts toward scripts, compute, tool skill, prompt/image/video iteration, editing, and the people who can judge which generated outputs are usable.

267.3000块成本，3.5亿次播放，AI短剧怎么在抖音挣钱？ adds an end-to-end creator case. 小果哥哥 / XiaoGuoGege used Doubao to adapt a 番茄小说 / Fanqie Novel story into multiple script variants and prompts, generated short video fragments with Seedance-style and adjacent tools, salvaged flawed clips for voice, picture, transitions, or internal monologue, and edited the output into 安徽小木匠 / Anhui Xiao Mujiang.

269.真人短剧的下一战：与AI共生、工业化和好故事 extends the workflow frame beyond generated clips. 日新月异 / Rixin Yiy uses AI for live-action production management: script tools linked to databases, scene and character consistency checks, electronic continuity notes, actor notices, work-time records, and upload/approval gates. In this version, AI is infrastructure for Short Drama Industrialization, not only a replacement camera crew.

从央视纪录片到爆款 AI 短剧：第一批「转身」的导演 | S10E11 adds AI Director-Core Workflow. 抽象仔 / Chouxiangzai describes the early image-to-video stage where one sub-two-minute episode of 五个哥哥都宠我 could require roughly 70 generated images and nearly ten days, then contrasts it with newer multi-reference workflows where more time moves to script, IP, asset libraries, storyboards, and director instructions.

E234｜未来实拍电影还存在吗？与导演陆川聊聊AI给影视人的恐惧与自由 adds the film-previs version. 陆川 / Lu Chuan says AI can turn prompts, Midjourney-style images, and Video Models into hundreds or thousands of keyframes and a 48- to 72-hour visualization pass for action scenes that once required months of visual-effects coordination.

The Business of Heated Rivalry adds a boundary case from traditional television production. Brendan Brady says AI may help scheduling, budgeting, preparation, and other data-heavy production tasks, but he does not want it to become the creative engine for costuming or the authored parts of a show.

Key Claims

  • Jia’s source adds that AI video is not only a productivity workflow; it may reorganize the industrial roles that define film production.
  • AI video lets one person or a small team attempt work that previously required a larger filming crew.
  • The “抽卡师” role appears because repeated generation and selection become production labor.
  • Tool subscriptions and per-second generation cost are still materially cheaper than many live-action workflows in the source’s account.
  • Better AI subtitles, translation, and dubbing may reduce the value of pure overseas distribution while increasing the value of deeper workflow services.
  • Workflow advantage depends on taste, story, rights control, and platform feedback, not only on access to a model.
  • In the 安徽小木匠 / Anhui Xiao Mujiang case, editing and reuse of imperfect generated material were the practical bottlenecks that kept low compute cost from becoming zero labor.
  • In live-action workflows, AI can enforce consistency and reduce coordination loss even when the finished work remains human-shot.
  • In film workflows, AI is strongest when it helps directors test and communicate scenes before expensive production, but it still needs Industrial-Grade Film Models and human taste to reach final delivery.
  • Production-management AI can be useful without implying that writing, costuming, acting, or directing should be delegated to generated output.
  • The “抽卡师” role can shrink as multi-reference models improve, but the source says the director’s ability to ask for a specific shot, expression, movement, or emotional state becomes more valuable.
  • Practical AI-video workflows are model-specific: the source describes using C-DANCE/Seedance, Kling-style generation, GPT image tools, Banana/Banana Pro, and Jimeng-like image generation according to each shot’s requirements.
  • The All-In Black Forest Labs source adds that professional use can start before final footage: previsualization, visual communication, and launch-storytelling may capture value while feature-film delivery remains hard.

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