Cthulhu Mythos / 克苏鲁神话
Cthulhu Mythos / 克苏鲁神话 is introduced in 73.虚境奇谭:恐怖+幽默=最好的克苏鲁 as a loose early-twentieth-century literary field rather than a tightly controlled fictional universe. The episode uses H. P. Lovecraft / 洛夫克拉夫特, Clark Ashton Smith / C.A.史密斯, August Derleth / 阿古斯特·德雷斯, and Weird Tales / 诡丽幻谭 to explain how shared names, beings, books, places, and atmospheres accumulated through writers and magazines.
The episode’s version of the mythos centers on cosmic horror: humans encounter old or alien forces whose scale and motives make ordinary human categories feel small. Smith’s branch, however, adds strong Horror-Humor Weird Fiction and Anti-Anthropocentric Satire, so the mythos is not only a matter of dread but also of ridicule directed at human self-importance.
Key Claims
- The mythos is best understood here as Open Shared Mythos, not as a modern closed franchise.
- Its horror depends on unknown forces, age, scale, and epistemic collapse.
- The episode’s Smith focus shows that mythos writing can be poetic, decadent, comic, and satirical.
- The field is historically tied to magazine culture and correspondence networks, not just individual genius.
- 萨托古雅 and 伊波恩 show how Smith’s material connects into the wider mythos.
Connections
- H. P. Lovecraft / 洛夫克拉夫特, Clark Ashton Smith / C.A.史密斯, and August Derleth / 阿古斯特·德雷斯 - key author/system figures in the episode.
- Cosmic Horror, Weird Fiction, and Open Shared Mythos - conceptual frames.
- 《虚境奇谭》, 《七咒赋》, and 《深谷住民》 - source and story cases.