蜜獾吃书

88.别认输，惠子：在听不到喝彩的世界里，挥拳！ adds the show’s disability, female boxing, and embodied-agency branch through 惠子, 《别认输，惠子》, and 《惠子凝视》. It connects ordinary-school isolation, deaf-school belonging, adolescent anger, repeated boxing refusals, 真斗拳馆, 小林亮一, and 和田幸子 to Deaf Education And Belonging, Communication Access And Misrecognition, Disability Access In Combat Sports, and Boxing As Embodied Agency, while extending the show’s existing disability-agency, trauma-recognition, and women-body branches.

87.过年最适合聊玄学！探讨神仙方术发展史（未完待续） opens the show’s two-part Chinese fangshu history branch. It connects 甲骨占卜, 《周易》占卜, 招魂, 星占, 阴阳五行, 求仙政治, 方士骗术与权威, 巫蛊政治恐慌, 秦始皇, 汉武帝, 刘安, 《淮南子》, 邹衍, and 徐福 to the show’s existing concerns with skepticism, folklore, power, and historical imagination.

87.过年最适合聊玄学！探讨神仙方术发展史（接上集） adds the show’s Han-to-Wei-Jin 方术系统化 branch. It connects 董仲舒, 京房, 王莽, 刘秀, 费长房, 魏伯阳, 张华, 郭璞, 葛洪, and 佛图澄 to Chinese Astrological Politics / 中国星占政治, Chenwei Politics / 谶纬政治, Daoist Alchemy / 道教炼丹, Daoist Nourishing-Life Techniques / 道教养生术, Daoist Ritual Technology / 道教仪式技术, Portable Divination Systems / 便携占算系统, Feng Shui Vital-Energy Theory / 风水生气论, and Buddhist Miracle Politics / 佛教神通政治, while extending Chinese Folk Religion Layering, Confucian Ideal Governance / 儒家理想治理, and Auspicious Omen Politics / 祥瑞政治.

86.打开一颗心：那美好的仗，我已经打过了 adds the show’s cardiac-surgery and medical-innovation branch through Stephen Westaby / 史蒂芬·维斯塔比’s 《打开一颗心》 / Open Heart. It connects failed and successful heart operations, custom airway work, artificial hearts, Robert Jarvik / 罗伯特·贾维克, the AB180 blood pump, infant extreme surgery, ICU-system failure, and mortality-rate reporting to High-Risk Surgical Innovation, Artificial Heart Bridge Therapy, Surgical Outcome Metric Distortion, Medical Risk Management, Medical Device Clinical Validation, and Bureaucratic Risk Avoidance, while also adding sponsor-linked Health Insurance Planning through 小雨伞.

85.车墩墩野事记：走啊！搬到乡下钻小树林儿去！ adds the show’s city-edge nature-writing branch through 尹琪’s 《车墩墩野事记》. It connects 车墩镇, small woods, bats, swallows, insects, fireflies, raccoon-dog surveys, and everyday neighbors to Urban-Edge Nature / 城市边缘自然, Community Firefly Protection / 社区萤火虫保护, Nature Writing, Urban Ecology, Observation Before Inference, and Nature Contact And Self-Perception, extending the show’s animal and practical-life material from conservation institutions into ordinary suburban coexistence.

84.冰路狂花：好姑娘，你只是忘了勇敢 adds the show’s women, abuse-recognition, and road-memoir branch through Amy Butcher / 艾米’s 《冰路狂花》 / Mothertrucker. It connects Joy “Joey” Wiebe / Joey, Alaska / 阿拉斯加, Dalton Highway / 道尔顿公路, and Prudhoe Bay / 普拉德霍湾 to Psychological Abuse Recognition / 精神虐待识别, Why-Not-Leave Victim Blaming / “为什么不离开”受害者责难, Social Media Abuse Mask / 社交媒体虐待遮蔽, Love Rescue Trap / 以爱拯救陷阱, High-Risk Labor Mutual Aid / 高风险劳动互助, Traumatic Attachment, and Female Self-Possession, extending the show’s practical psychology work into a nonfiction case where courage means recovering enough self-trust to leave.

83.梳毛、八卦及语言的进化：人际关系“邓巴数”，咱不服不行 adds the show’s evolution-psychology and everyday-sociability branch through Robin Dunbar / 罗宾·邓巴’s 《梳毛、八卦及语言的进化》. It connects Dunbar Number / 邓巴数, Social Grooming / 社会性梳毛, Gossip As Social Grooming / 八卦作为社会性梳毛, Language As Social Grooming / 语言作为社会性梳毛, Machiavellian Intelligence / 马基雅维利智能, Group-Boundary Language / 群体边界语言, and Workplace Informal Talk / 职场非正式闲聊 to the show’s recurring defense of concrete human experience over tidy moral labels.

81.间谍与叛徒：恕我直言，007的故事弱爆了（下） completes the show’s 《间谍与叛徒》 branch by following Oleg Gordievsky through London intelligence work, Operation RYAN / 莱恩行动, Aldrich Ames’s betrayal, Operation Pimlico / 皮姆利科行动, and the escape through Finland. It adds CIA / Central Intelligence Agency / 中情局, Margaret Thatcher / 玛格丽特·撒切尔, Ronald Reagan / 罗纳德·里根, Mikhail Gorbachev / 米哈伊尔·戈尔巴乔夫, Yuri Andropov / 尤里·安德罗波夫, Veronica Price / 维罗尼卡·普莱斯, Michael Foot / 迈克尔·富特, Michael Bettaney / 迈克尔·贝塔尼, Cold War Nuclear Misperception / 冷战核误判, Intelligence Liaison Risk / 情报盟友协作风险, Strategic Intelligence Interpretation / 战略情报解释, and Extraction Promise Ethics / 撤离承诺伦理, extending the show’s pattern of making genre-sounding stories answerable to institutions, ethics, and political consequence.

80.间谍与叛徒：恕我直言，007的故事弱爆了（上） adds the show’s Cold War espionage and nonfiction-history branch through Ben Macintyre’s 《间谍与叛徒》. It connects Oleg Gordievsky / 奥列格·戈尔杰夫斯基, KGB / 克格勃, MI6 / British Secret Intelligence Service / 军情六处, Operation Sunbeam / 阳光计划, Operation Pimlico / 皮姆利科行动, Ideological Defection / 意识形态叛逃, Totalitarian Double Life / 极权双重生活, Cold War Spycraft / 冷战间谍技艺, and Spy Source Protection / 间谍线人保护 to the show’s existing interest in dissent, state violence, ordinary fear, and how real history outstrips genre fantasy.

79.各位领导，但凡咱学点博弈论：契约理论如何解释职场管理 adds the show’s contract-theory and workplace-management branch through 聂辉华’s 《一切皆契约》. It connects Contract Theory / 契约理论, Incomplete Contract / 不完全契约, Information Asymmetry In Contracts / 契约中的信息不对称, Prisoner’s Dilemma / 囚徒困境, Signal Design / 信号设计, Education Signal Inflation / 学历信号膨胀, Book Price War Signal Trap / 图书价格战信号陷阱, Ratchet Effect In The Workplace / 职场棘轮效应, Subjective Performance Incentives / 主观绩效激励, Mixed Incentive Contracts / 组合激励契约, Equity Incentive Alignment / 股权激励相容, Motivation Crowding Out / 动机挤出, and Internal Marketization Limit / 企业内部市场化边界 to the show’s existing habit of replacing blame-first reactions with structural explanation.

78.西方决斗史：出剑吧！为了荣誉！ adds the show’s Western dueling, honor, and legal-violence branch through 《西方决斗史》 and John Gideon Millingen. It connects Judicial Duel / 司法决斗, Trial By Ordeal / 神裁法, Chivalric Tournament Culture / 骑士比武文化, Honor Duel Culture / 荣誉决斗文化, Proceduralized Violence / 程序化暴力, Weapon Technology And Duel Lethality / 武器技术与决斗致命性, and Female Duel Agency / 女性决斗主体性 to cases involving Henry II of France, Julie d’Aubigny, Alexander Hamilton, Aaron Burr / 阿伦·伯尔, and Andrew Jackson / 安德鲁·杰克逊.

77.她是自由的野狗，她是法拉奇 adds the show’s Oriana Fallaci / 奥利亚娜·法拉奇 branch through 《我不相信神话》. It connects Fallaci’s anti-fascist childhood, underground courier work, political interviews with Ruhollah Khomeini and Mohammad Reza Pahlavi, the Tlatelolco massacre, Alexandros Panagoulis, and the AFTRA / American Federation of Television and Radio Artists anecdote to Power Myth Deflation / 权力神话拆解, Freedom As Dignity / 自由作为尊严, Journalistic Independence Against Faction / 拒绝站队的新闻独立, Political Truth-Telling / 政治性说真话, Conscience Over Faction / 良知高于党派, Principled Disobedience / 原则性不服从, and Protection As Control.

170.宋太祖之死：烛影斧声，阴谋论中的人性谜团（下） adds the show’s Song succession, conquest-violence, and official-history branch through 烛影斧声 and 金匮之盟. It connects 先南后北, 川蜀征服后反抗, 宋初继承合法性危机, and Official History Legitimacy Repair to the existing 赵匡胤 / 宋太祖 cluster, keeping the death mystery tied to institutional incentives rather than isolated palace gossip.

169.宋太祖之死：烛影斧声，阴谋论中的人性谜团（上） adds the show’s Song founding, political-rumor, and military-institution branch through 赵匡胤 / 宋太祖 and the 陈桥兵变. It connects 后周, 柴荣, 赵光义 / 宋太宗, 赵普, 谶纬政治, 宋初建国合法性表演, 杯酒释兵权, 宋初军事集权, and 开封定都取舍, extending the show’s readable-history method into a case where official history, rumor, coup ritual, and institutional tradeoffs all have to be held together.

166.悠游长风：温柔的幻想之歌，抚平焦虑的沟壑 adds the show’s Sarah Pinsker / 莎拉·平斯克 and gentle speculative-fiction branch through 《悠游长风》 / 《悠悠长风》. It connects 《一段双车道公路》, 《梦宝宝》, and 《记忆日》 to Gentle Speculative Ambiguity / 温柔的科幻暧昧, Embodied Identity Boundary / 身体身份边界, Dream Parenthood Ambiguity / 梦中亲子暧昧, Memory Deletion Ethics / 记忆删除伦理, and Civilizational Memory Transmission / 文明记忆传承, extending the show’s existing science-fiction readings from Le Guin, Chiang, Zelazny, Lem, and Sagan into a quieter mode built around lingering feeling and unresolved mechanisms.

165.银发川柳：用幽默面对老年，咱们来写打油诗 adds the show’s aging-humor and elder-respect branch through 《银发川柳》. It connects Senryu Aging Humor / 银发川柳式老年幽默, Embodied Aging, Present Moment Against Death, Elder Technology Exclusion / 老年技术排除, and Respect For Elders Tradition / 敬老传统 to the show’s existing care, body, death, humor, and classical-ethics interests, showing how jokes about medicine, hearing loss, grandchildren, pets, fraud calls, memorial photos, and funeral cars can open serious questions about aging societies.

164.古文的力量：请收下这份千年未变的深情、洞见和勇气 adds the show’s explicit classical-prose branch through 杜若’s 《古文的力量》. It connects 《项脊轩志》, 《游褒禅山记》, 《上枢密韩太尉书》, and 《鸿门宴》 to Classical Prose Reading / 古文阅读, Restrained Emotion In Classical Writing / 古典文本中的克制情感, Textbook Excerpt Flattening / 教材删节造成的文本扁平化, Subjectivity Through Failure / 失败中的主体性, Power Etiquette Reading / 权力礼仪细读, and Moral Face Under Power Competition / 权力竞争中的要脸, extending the show’s classic-reading method into prose that many listeners first met as school recitation.

163.教一只猞猁忘记动物园：西野的故事，比疯狂动物城2更精彩！ adds the show’s real-world wildlife rescue, zoo-care, and conservation-storytelling branch through 袁掌’s 《教一只猞猁忘记动物园》. It connects 天线宝宝, 猞猁, and 西宁野生动物园 to Wild Release Human Avoidance / 野放前人类回避训练, Wild-Animal Rescue Responsibility, Conservation Intervention, Conservation Story Mobilization / 保护故事动员, and Empathy Circle Expansion, extending the show’s animal material from cats, penguins, livestock, and fictional dinosaurs into professional release work.

162.屁书：闲聊“人间之气”！一天几次最健康？ adds the show’s body-taboo and flatulence branch through 《屁书》. The episode connects Flatulence As Health Signal / 排气作为健康信号, Bodily Taboo Humor / 身体禁忌幽默, Civilized Body Discipline / 文明身体规训, Flatulence Performance History / 放屁表演史, and Animal Gas Communication / 动物气体交流 to the show’s existing practice of using jokes, children’s books, and body knowledge to make shame, etiquette, health caution, and human-animal continuity discussable.

161.攥着文凭失业，我怎么爬出这个陷阱 adds the show’s high-education unemployment and de-stigmatization branch through 《污名陷阱》. The episode connects Highly Educated Unemployment / 高学历失业, Unemployment Stigma / 失业污名, Opaque Hiring Market / 不透明招聘市场, Long-Term Unemployment Penalty / 长期失业惩罚, Status Descent Pressure / 身份落差压力, and Unemployed Mutual Aid / 失业者互助 to the show’s existing concerns with education pressure, shame, weak ties, career self-rescue, and practical life design.

38.安吉拉卡特精怪故事集：哦！迷人的悍妇！ adds the show’s Angela Carter / 安吉拉·卡特 and fairy-tale feminism branch through 《精怪故事集》. It connects 《染血之室》, 《萨德的女人》, and 《明智的孩子》 to Female Oral Storytelling / 女性口头叙事, Unruly Women In Folktales / 民间故事中的悍妇, Feminist Fairy-Tale Rewriting / 女性主义童话改写, Fairy-Tale Sanitization / 童话净化, and Cross-Cultural Fairy-Tale Flow / 跨文化童话流动, while extending the show’s existing Adult Fairy-Tale Reading, Story Motif Transmission, Female Self-Possession, and Gendered Fairy-Tale Punishment / 童话中的性别化惩罚 material.

37.智商测试：请问你是智力婆罗门吗？ adds the show’s intelligence-testing, eugenics-history, and meritocracy branch through 《智商测试》. It connects Francis Galton / 弗朗西斯·高尔顿, Alfred Binet / 阿尔弗雷德·宾内, Henry H. Goddard / 亨利·戈达德, Carrie Buck / 卡丽·巴克, and Nazi Germany / 纳粹德国 to Intelligence Testing / 智力测试, Eugenic Governance / 优生学治理, Psychometric Social Sorting / 心理测量式社会分层, Educational Tracking By Testing / 测试驱动的教育分流, Forced Sterilization By Eugenics / 优生学强制绝育, and Meritocratic Arrogance / 绩优主义傲慢, extending the show’s science, education-pressure, social-psychology, and anti-contempt threads.

36.黑暗的左手：流放与爱的未来往事 adds the show’s Ursula K. Le Guin / 厄休拉·勒古恩 and anthropological science-fiction branch through 《黑暗的左手》 / The Left Hand of Darkness. It connects 格森星 / Gethen, 金利·艾 / Genly Ai, 伊斯特拉凡 / Estraven, 卡海德 / Karhide, 欧格瑞恩 / Orgoreyn, and 艾库曼 / Ekumen to Ambisexual Worldbuilding / 双性世界建构, Anthropological Science Fiction Worldbuilding / 人类学式科幻世界建构, Shifgrethor Political Face / 西弗格雷瑟式政治面子, Correct Question Epistemology / 正确提问的认识论, Patriotism As Hatred / 以仇恨运作的爱国主义, and Intimacy Beyond Gender Script / 超越性别脚本的亲密, extending the show’s science-fiction and classics-reading material into gender estrangement, first-contact diplomacy, and loyalty beyond national reputation.

35.天真的人类学家：做田野会上瘾的！ adds the show’s anthropology fieldwork demystification branch through 《天真的人类学家》 / The Innocent Anthropologist. The episode connects Nigel Barley / 奈杰尔·巴利, Dowayo People / 多瓦优人, Cameroon / 喀麦隆, and Bronislaw Malinowski / 马林诺夫斯基 to Fieldwork Romance Deflation / 田野浪漫去魅, Ethnographic Everyday Friction / 民族志日常摩擦, Participant-Observer Entanglement / 参与观察者纠缠, Missionary Fieldwork Infrastructure / 传教士田野基础设施, Development Project Unintended Consequences / 发展项目的意外后果, and Visual Representation Literacy / 视觉表征素养, extending the show’s anthropology line from fieldwork danger into everyday dependence, comic failure, and development ambiguity.

34.猫咪秘史：呵，愚蠢又可爱的人类 adds the show’s cat-history branch through 《猫咪秘史：从史前时期到太空时代》. The episode connects 猫, Cat Domestication History, Cat As Civilizational Infrastructure, Cat Religious Mythology, Bastet / 巴斯特, Cat Cultural Ambivalence, and Felicette / 菲利切特 to the show’s existing animal, folklore, mythology, and evidence-discipline interests, while keeping legend-heavy cat anecdotes source-scoped.

33.人间失格：胆小鬼的壮烈献祭 adds the show’s 太宰治 and 《人间失格》 branch. The episode reads 大庭叶藏 through 私小说式自传阅读, 搞笑面具式生存, 信赖作为道德风险, 正常性强制, and 胆小鬼的献祭, extending the show’s modern-literature method into a darker case where failure, shame, fear, and social unfitness have to be understood without being glamorized.

一份来自病床上的相关书单 adds the show’s sickbed public-health reading-list branch. The hosts turn their own infection recovery into a Reading List Pointer Episode that connects 《张文宏说传染》, 《病玫瑰》, 《中世纪的身体》, 《苍白的骑士》, 《东北博弈》, 《瘟疫之夜》, 《失信：公共卫生体系的崩溃》, and 《打开一颗心》 into a map of Infectious Disease Public Literacy, Medical Visual History, Pandemic As Historical Force, Public Health Geopolitics, Public Health Invisibility, and Medical Knowledge Boundary.

32.印第安人《讲了一百万次的故事》是马尔克斯的老师 adds the show’s Indigenous American oral-mythology branch through 《讲了一百万次的故事》. It connects Coyote / 凯奥蒂, Native American Oral Literature / 美洲原住民口头文学, Indigenous American Mythology / 美洲原住民神话, Human-Animal Continuity In Myth, and Oral Myth As Magical Realism Source to the show’s existing mythology method: tell the stories vividly, compare across cultures, but keep variants, colonial recording, and evidence limits visible.

31.冰与火之歌：虽然从不自称历史 adds the show’s 《冰与火之歌》 and historical-fantasy branch. The episode connects George R. R. Martin / 乔治·R·R·马丁, 《权力的游戏》 / Game of Thrones, Wars of the Roses / 玫瑰战争, 塔中王子案, Celtic Mythology, and Norse Mythology / 北欧神话 to Historical Fantasy Source Layering and Fictional Historiography, extending the show’s mythology and history-reading method into fantasy worldbuilding while preserving its caution against one-to-one prototype hunting.

30.孟子：战国愤青的赤子之心 adds the show’s explicit 孟子 / Mencius and Warring States political-philosophy branch. It connects 《孟子》, 战国时期, 稷下学宫, 梁惠王, 齐宣王, 墨子, 杨朱, and 邹国 to Early Confucian Resistance Politics / 早期儒家的反抗政治, Righteousness Over Profit / 义利之辨, Mencian Benevolent Government / 孟子仁政, 王道 versus 霸道 / Kingly Way Over Hegemony, Constant Property, Constant Heart / 有恒产者有恒心, Mencian People-Based Legitimacy / 孟子的民本合法性, and Mencian Idealism Limits / 孟子理想主义的限度, extending the show’s classical-reading method from story and folklore into early Confucian resistance, ruler legitimacy, and the practical risks of benevolent idealism.

29.千面英雄：俄狄浦斯正在下班挤地铁 adds the show’s explicit Campbell and comparative-mythology branch through 《千面英雄》. The episode connects 单一神话, Hero Journey Narrative, Myth As Public Dream / 神话作为公共的梦, Collective Unconscious / 集体无意识, Belly of the Whale Rebirth / 鲸鱼之腹与重生, Mythic Parent Archetypes / 神话中的父母原型, and Hero Return With Boon / 英雄携赐归来 to examples from Greek myth, 《西游记》, Star Wars, 《黑客帝国》, fairy tales, epics, and ritual theory, while keeping the show’s usual warning against overclean interpretive proof.

日谈串台｜红楼梦：还是可以读一读的 adds the show’s explicit 《红楼梦》 entry-guide branch through a 日谈 crossover. The episode keeps the show’s ordinary-reader posture: rather than treating the classic as compulsory prestige, it opens the book through chapter-3 entry advice, 林黛玉 defense, 贾宝玉’s ethical uselessness, 大观园, poetry games, female friendship, 脂砚斋 commentary, and 红楼版本与续书阅读 / Red Chamber Version And Sequel Reading.

三联串台｜神赐给人葡萄，世界微醺了 adds the show’s wine, food-writing, and sensory-culture branch through a Sanlian crossover with 黑麦. The episode connects wine / 葡萄酒, Wine As Agricultural Culture, Wine Terroir / 葡萄酒风土, Natural Wine, Taste Training, Food Writing As Life Experience, and Flavor As Self-Knowledge, extending the show’s existing food and material-history interests beyond 川菜, Yunnan fungi, and coffee / 咖啡.

27.希区柯克已在您桌下安置炸弹 adds the show’s early Hitchcock suspense branch. The episode turns 《惊魂记》 / Psycho, 麦格芬, 桌下炸弹悬念, and short-story reversals into a practical account of Narrative Misdirection / 叙事误导, audience information control, and Hitchcockian Moral Irony / 希区柯克式道德反讽, while connecting the show’s film interest to its broader literary-reading method.

28.聊斋志异：不为君王唱赞歌，偏向苍生说鬼话 adds the show’s direct 《聊斋志异》 branch. The episode connects 蒲松龄, 于七之乱, fox and ghost stories, folk performance, 纪昀, and 《阅微草堂笔记》 to Strange Tale Social Critique, Nonhuman Moral Agency In Strange Tales, Zhiguai Archive Value, Folklore Trauma Encoding, and Imperial Examination As Only Exit, while extending the show’s recurring claim that classics become richer when restored from one-line school labels.

26.牛顿与伪币制造者：可能是斯内普的原型？ adds the show’s early science-history, money-history, and crime-history branch through 《牛顿与伪币制造者》. The episode connects Isaac Newton / 牛顿, William Chaloner / 查罗纳, the Royal Mint, Great Recoinage / 大重铸, Gresham’s Law / 劣币驱逐良币, Counterfeit Currency Policing, Scientific Revolution Social Infrastructure, and Newtonian Alchemy Theology, while keeping the Snape comparison as a bounded character analogy rather than confirmed influence.

一条节目说明，希望各位听众能够听完 adds a short platform-review and listener-routing notice. The source does not add a new book branch; it records that a prepared episode failed review on some platforms, passed elsewhere, and forced the show to explain alternate listening paths, apologize for confusion, and frame missing Wednesday updates as possible Podcast Platform Review rather than ordinary absence.

24.捍卫雅各布：相信你是我唯一的执念 adds the show’s early legal-thriller and family-ethics branch through William Landay’s 《捍卫雅各布》 / Defending Jacob. The episode connects Andy, Jacob, Laurie, and Billy Barber to Legal Truth-Evidence Gap / 法律真相与证据差距, Parental Defense Conflict / 父母辩护冲突, Genetic Culpability Problem / 遗传归责问题, and First-Person Moral Alignment / 第一人称道德贴近, while extending the show’s existing law, evidence, and moral-judgment threads beyond nonfiction cases into a morally uncomfortable crime novel.

23.飞马牌汽车：安全是第一位的！ adds the show’s early 郑渊洁 branch through 《童话大王》, 《训兔记》, 《飞马牌汽车》, 皮皮鲁 / Pipilu, 鲁西西 / Luxixi, 舒克贝塔, and 大灰狼罗克. It connects the show’s childhood-reading memory to Safety As Control, Rule Idolatry, Bureaucratic Absurdity Escalation, and Problem Industrialization, while extending Anti-Authoritarian Education, Children’s Literature Complexity, Institutional Overcompliance, and Absurd Rationality.

17.地狱变：众生皆苦，一念入魔 adds the show’s early 芥川龙之介 branch through 《地狱变》, 《竹林中》, 《罗生门》, 《蛛丝》, 《河童》, 《鼻子》, and 《小白》. It connects the show’s literary-rereading mode to Unreliable Praise Narration / 赞美式不可靠叙述, Rashomon Effect / 罗生门效应, Art As Revenge / 艺术作为复仇, Human World As Hell / 人间如地狱, and Akutagawa Salvation Problem / 芥川式救赎问题, while extending Classic Reading Complexity, Moral Suspension In Art Reading, and Non-Instrumental Literary Reading into a darker Japanese short-fiction branch.

16.时尚受害者：惊！绿色或为最毒颜色 adds the show’s early fashion, public-health, and material-safety branch through 《时尚受害者》. The episode connects clothing and cosmetics to Toxic Fashion Material Risk, Fashion Supply Chain Externality, Gendered Fashion Safety Blame, Material History Narrative, Female Body Freedom, and Environmental Tradeoff Accounting, extending the show’s body-history interests from menstruation and aging into dyes, hats, fire, solvents, footwear, labor, and ecological substitution.

15.闭经记：更年期给我自由！ adds the show’s early menopause, menstrual shame, and women-body branch through 伊藤比吕美’s 《闭经记》. It connects Menopause As Freedom / 更年期作为自由, Menstrual Stigma, Female Body Freedom, Gendered Medicalization, Mother-Daughter Reconciliation, and Female Self-Possession, while preserving the show’s discussion style: personal memory, literary reading, feminist theory, humor, and disagreement remain in the same conversation.

04.切尔诺贝利的午夜： “我要进监狱了。” adds the show’s early disaster-history and technical-nonfiction branch through 《切尔诺贝利的午夜》. The episode connects Chernobyl Nuclear Power Plant, Pripyat, Viktor Bryukhanov / 布留哈诺夫, Anatoly Dyatlov / 加特洛夫, and Valery Legasov / 列加索夫 to Technological Disaster As Institutional Failure, Human-Dependent Safety System, Nuclear Safety Propaganda, Disaster Cleanup Sacrifice And Futility, and Post-Disaster Truth And Responsibility, extending the show’s recurring interest in evidence, institutions, and responsibility under pressure.

05.她来自马里乌波尔：“如果你看见过我曾见到的。” adds the show’s 《她来自马里乌波尔》 branch. The episode uses 纳塔莎·沃丁’s search for her mother 叶弗根尼亚 to connect Mariupol / 马里乌波尔, Eastern forced labor, Soviet repression, Nazi Germany, family archives, and Disaster Silence And Shame / 灾难后的沉默与羞耻 into a Family Memory Nonfiction / 家族记忆非虚构 case.

串台.「你吃香菜吗」女生版：你愿意和性转之后的自己在一起吗？ adds the show’s cross-podcast relationship-debate branch through 你吃香菜吗 and 日光派对播客联盟. The episode is not a book reading; it uses a gender-swapped-self dating prompt to connect the show’s life-conversation mode to Self-Similarity In Intimacy / 亲密关系中的自我相似, Complementary Relationship Support / 互补式关系支持, Emotional Co-Regulation Fit / 情绪共调匹配, Relationship Need Diversification / 关系需求分散, and Sincerity As Relationship Trust / 真诚作为亲密关系信任.

14.武士威廉：大航海时代的日本和西方 fulfills the earlier 《武士威廉》 preview by turning William Adams / 三浦按针 into a full history branch. The episode connects the show’s readable-history mode to Oceanic Voyage Attrition, Confessional Trade Conflict, Tokugawa Foreign-Trade Ambivalence, Early Modern Japan-Europe Contact, and Sakoku Dutch Window, while keeping the conclusion cautious: Adams mattered as mediator and witness, not as a lone history-changing hero.

21.红与黑：他死于真诚 adds the show’s 斯汤达 and 《红与黑》 branch. The episode follows 于连 through sawmill family, tutor work, seminary, Paris service, trial, and death, while reading him through Psychological Realism / 心理现实主义, Class Mobility Performance / 阶级上升表演, Sincerity Against Social Hypocrisy / 以真诚抵抗社会虚伪, and Passion Against Self-Control / 激情与自我控制. It also makes 雷奈尔夫人 and 马蒂尔德 a direct case of Female Subjectivity In Classic Reading / 经典阅读中的女性主体性, extending the show’s recurring refusal to replace old novels with plot labels.

20.德米安：该隐的额头上，那神秘的印记 adds the show’s 赫尔曼·黑塞 and 《德米安》 branch. The episode follows 辛克莱尔 through 光明/黑暗世界, 该隐印记重释, 阿布拉克萨斯, 德米安, 夏娃夫人, and 皮斯托留斯, then reads those figures through Spiritual Mentor As Self Projection / 精神导师作为自我投射, Jungian Archetypal Reading / 荣格式原型阅读, Gnosticism / 诺斯替主义, and Self Discovery Against Mass Conformity / 抵抗从众的自我追寻. Its main contribution is to separate Hesse’s wartime, anti-conformist self-seeking from later youth-culture simplification while preserving why the books feel healing to readers.

19.荒野上的大师：“我辈于乱世求研究，本为逆流之妄举” adds the show’s modern Chinese academic-history branch through 张泉’s 《荒野上的大师》. The live conversation moves from Zhang’s reporting path and “重走梁思成之路” into 丁文江, 梁思成, 林徽因, 赵元任, 傅斯年, and the four institutions of 地质研究所/地质调查所, 清华国学研究院, 历史语言研究所, and 中国营造学社. Its main contribution is to frame scholarship as Fieldwork As Knowledge Method / 田野作为知识方法, Scholarship In Wartime / 乱世求研究, Modern Chinese Academic Institution Building / 中国现代学术制度建设, Cosmopolitan Chinese Scholarship / 世界主义的中国学术, and Spiritual Freedom Under Constraint / 受限处境中的精神自由 rather than as static master worship.

18.如何识别、逃离并避免成为《精神吸血鬼》 adds the show’s early practical-psychology and relationship-boundary branch through 《精神吸血鬼》. The episode turns the psychic-vampire metaphor into a grounded account of Psychic Vampire Personality / 精神吸血鬼人格, Emotional Energy Extraction / 情绪能量掠夺, Guilt-Based Relational Control / 内疚式关系控制, Relational Isolation Control / 关系孤立控制, and Self-Generated Emotional Capacity / 造血能力, while connecting to later trauma-response pages such as Fawn Response and Traumatic Attachment. Its practical stance is blunt: recognize the pattern, stop trying to rescue the extractor, keep outside witnesses and evidence, set concise boundaries, and rebuild reciprocal emotional capacity.

开天窗：摸鱼+感谢+吹大理 adds an early Dali move, listener-feedback, and “开天窗” maintenance branch. The short source connects cross-province moving logistics, thanks for comments and pronunciation corrections, listener resonance after the grief episode, Dali air and night sky, and future leads around Angela Carter, 《荒野上的大师》, 《武士威廉》, 《土里不吐气》, and 新移民文学. Its main role is to show how the program can preserve audience continuity through Restorative Creative Pacing and Reading List Pointer Episode without pretending the previewed books have already been fully discussed.

13.悲伤的力量：谈谈丧亲之痛 adds the show’s bereavement, death-education, and grief-counseling branch through 《悲伤的力量》 / Grief Works and Julia Samuel / 朱利亚·萨米尔. It connects 秦总’s childhood mother-loss experience and 北明 / 北民’s co-host reflections to Bereavement Grief Work / 丧亲悲伤工作, Child Death Education / 儿童死亡教育, Grief Companion Support / 丧亲陪伴支持, and Trauma Narrative Integration / 创伤叙事整合, while extending the show’s existing Complex Trauma Recognition, Therapy Relationship And Boundaries, Trauma Numbing, and death-facing care branches.

12.慢：当米兰·昆德拉一句正经没有 adds the show’s 米兰·昆德拉 branch through 《慢》 / Slowness. It connects 捷克, 布拉格, 布拉格之春, 天鹅绒革命, 《玩笑》, and 《不可承受的生命之轻》 to Slowness As Modernity Critique / 作为现代性批判的慢, Public Moral Performance / 公共道德表演, Kitsch As Waste Denial / 媚俗作为排泄否认, Anti-Lyricism / 反抒情, Privacy Under Public Gaze / 公共凝视下的隐私, Memory Self-Mythologizing / 记忆的自我神话化, Author As Political Symbol / 作者作为政治符号, and Political Condition As Human Experiment / 政治条件作为人性实验, while extending the show’s recurring practice of using comic literary material to reopen canonical writers rather than flattening them into political or biographical shorthand.

11.雍正王朝之大义觉迷：史景迁笔下的千古奇案 adds the show’s early Qing political-rumor and 史景迁 branch through 《雍正王朝之大义觉迷》 / Treason by the Book. It connects 雍正, 曾静, 张熙, 岳钟琪, 吕留良, 乾隆, and 《大义觉迷录》 to 清代文字狱 / Qing Literary Inquisition, 清代谣言政治 / Qing Rumor Politics, Imperial Public Rebuttal / 皇帝公开辩驳, 满汉合法性政治 / Han-Manchu Legitimacy Politics, and Political Propaganda Backfire / 政治宣传反噬, while extending the show’s recurring interest in readable history, rumor, power, evidence, and overcontrolled legitimacy.

10.王尔德奇异故事集：用最会撒谎的嘴唇亲吻天使 adds the show’s early Oscar Wilde / 王尔德 story-reading branch through 《王尔德奇异故事集》 and translator 菲比. It connects 《自深深处》, Lord Alfred Douglas / 波西, 《阿瑟·萨维尔勋爵的罪行》, 《W.H.先生的画像》, and 《坎特维尔的幽灵》 to Life Imitates Art / 生活模仿艺术, Art Against Moral Instruction / 反道德说教的艺术, Fictional Evidence Seduction, and Black Comic Moral Inversion, while extending the show’s Literary Gossip As Context, Classic Reading Complexity, Adult Fairy-Tale Reading, Genre Literary Legitimacy / 类型文学正名, and Non-Instrumental Literary Reading threads.

sp.01 宇宙：卡尔·萨根的星辰大海和人类梦想 adds the show’s early/special Carl Sagan and public-science branch through 《宇宙》 / Cosmos and 《接触》 / Contact. It connects Sagan’s astronomy, SETI / Search for Extraterrestrial Intelligence, Voyager golden record, Nuclear Winter, and anti-pseudoscience stance to Humanistic Science Communication, Sagan Effect, and Open Extraterrestrial Civilization Imagination, extending the show’s science-reading line beyond later 《魔鬼出没的世界》 skepticism.

09.阿特拉斯耸耸肩：安兰德只是爽文作家吗？ adds the show’s early Ayn Rand / 安·兰德 and Objectivism / 客观主义 branch through The Fountainhead / 《源泉》 and Atlas Shrugged / 《阿特拉斯耸耸肩》. It connects Rand’s personal appeal to young readers with Creator-Parasite Moral Frame / 创造者-寄生者框架, Entrepreneur Strike Myth / 企业家罢工神话, and Anti-Altruism as Moral-Coercion Critique / 反利他主义的道德胁迫批判, while extending the show’s recurring caution around Classic Reading Complexity, Pure Rationality Trap, and Ideological Totalization Risk / 主义万能钥匙风险.

08.老妓抄：老妓不死，甚至不曾凋零 adds the show’s early 冈本加乃子 and Japanese women’s-literature branch through 《老妓抄》. It connects 川端康成, 谷崎润一郎, 冈本一平, and 张爱玲 to Buddhist Life-Affirming Literature, Subtle Plot Psychological Aftertaste, Gendered Patronage Inversion, and Geisha Life-Cycle Writing, while extending the show’s Classic Reading Complexity, Non-Instrumental Literary Reading, Reading As Life Experience, Female Self-Possession, and Literary Gossip As Context branches.

07.用荣格理论分析《小王子》 永恒少年及其他 adds the show’s early 《小王子》 and Jungian-literary branch. It connects 荣格, Marie-Louise von Franz, 《永恒少年：我们为何拒绝长大》, 圣埃克苏佩里, and 康苏爱萝 to Puer Aeternus / 永恒少年, Jungian Archetypal Reading / 荣格式原型阅读, Mother Complex / 母亲情结, Romantic Death Escape / 浪漫化死亡逃避, Statistical Poisoning Of The Soul / 统计学对灵魂的毒害, and Responsibility Against Romantic Escape / 以责任抵抗浪漫逃避, extending the show’s recurring childhood-classic rereadings into psychoanalytic symbolism and responsibility.

06.搜神记： 二十四孝这口锅，干宝不背 adds the show’s early zhiguai and classical folklore archive branch through 《搜神记》. It connects 干宝, 李寄斩蛇, 《二十四孝》, 蒋子文, omens, divine offices, harmless or sympathetic nonhuman beings, and later literary motifs to Zhiguai Archive Value, Strange Tale Moral Pluralism, and Filial Piety Story Afterlife, while extending the show’s Classic Reading Complexity, Chinese Folk Religion Layering, Story Motif Transmission, and Mythic Source Layering work.

187.豌豆公主：高敏和混沌是你真名 adds the show’s close Andersen, sensitivity, and literary-ambiguity branch through 《豌豆公主》. It connects 安徒生, 《猪倌》, folklore variants, class satire, royal-family testing, high sensitivity, sensory hypersensitivity, and female bodily punishment to True Princess Ambiguity / 真公主暧昧, High Sensitivity As Difference / 高敏感作为差异, Sensory Hypersensitivity Accommodation / 感官超敏适配, Gendered Fairy-Tale Punishment / 童话中的性别化惩罚, and Literary Ambiguity As Complexity / 文学混沌性, while extending the show’s earlier Adult Fairy-Tale Reading, Classic Reading Complexity, 相信自己的感受, and hardship-culture concerns.

146. 不爱侏罗纪世界？快来《恐龙庇护所》当饲养员！ adds the show’s dinosaur, paleontology, and captive-care branch through 《恐龙庇护所》 / Dino Sanctuary. It connects 《侏罗纪世界：重生》, childhood dinosaur memory, Chinese feathered-dinosaur discoveries, Bird-Dinosaur Continuity / 鸟类-恐龙连续性, Evidence-Bound Paleontological Reconstruction / 证据约束的古生物复原, Dinosaur As Living Animal / 恐龙作为活着的动物, and Captive Animal Care Labor / 圈养动物照护劳动, extending the show’s animal-welfare and science-reading material beyond penguins, birds, livestock, and skepticism.

145.嫉妒与鄙视：我该如何躲避这双向的毒箭？ adds the show’s envy, contempt, and comparison-emotion branch through Susan Fiske / 苏珊·菲斯克’s 《嫉妒与鄙视》. It connects Envy-Contempt Comparison / 嫉妒-鄙视比较, Social Comparison Pressure / 社会比较压力, Low-Status Syndrome / 低地位综合症, Warmth-Competence Stereotype / 热情-能力刻板印象, Schadenfreude As Comparison Emotion / 比较中的幸灾乐祸, Dehumanization By Comparison / 比较导致的去人性化, and Empathy Against Comparison / 对抗比较的同理心 to the show’s existing Social Psychology / 社会心理学, Inferiority-Superiority Dynamic, Community Feeling, Internet Moral Trial / 互联网审判, and education-pressure concerns.

144. 被诅咒的木乃伊：福尔摩斯会和老舍联手探案吗？ adds the show’s Sherlock-Holmes pastiche and cross-cultural mystery branch through 岛田庄司’s 《被诅咒的木乃伊》. It connects 福尔摩斯, 华生, 夏目漱石, and 老舍 to 福尔摩斯同人传统 / Holmes Pastiche Tradition, 双手稿叙事 / Dual Manuscript Narration, and 东方主义谜题误导 / Orientalist Mystery Misdirection, while qualifying the show’s 本格推理 branch by treating voice, spoofing, and cultural misreading as central pleasures alongside the mummy-room mechanism.

148. 王氏之死：断井颓垣上的历史妆镜 adds the show’s Qing microhistory, gender-law, and fiction-as-evidence branch through 史景迁’s 《王氏之死》. It connects 郯城, 王氏, 黄六鸿, 《福惠全书》, 蒲松龄, and 《聊斋志异》 to Microhistory From Hostile Archives, Fiction As Historical Evidence, 清代性别法律秩序 / Qing Gender Legal Order, and Female Self-Possession, emphasizing that official archives and ghost stories reveal different parts of the same constrained world.

143.遗忘的脑力：记性不好可咋整啊？ adds the show’s memory, forgetting, and brain-health branch through 《遗忘的脑力》. It connects memory anxiety, emotional memory, hippocampus/cortex metaphors, review timing, painful-memory rumination, childhood pressure, diffuse thinking, sleep, movement, sunlight, and phone-use balance to Forgetting As Cognitive Function / 遗忘作为认知功能, Memory Consolidation Windows / 记忆巩固窗口, Painful Memory Rehearsal Risk / 痛苦记忆反复咀嚼风险, and Focused-Diffuse Thinking Balance / 专注与发散思维均衡, extending the show’s practical psychology and reading branches with a popular-neuroscience frame.

142. 凯尔特神话故事（第一弹）：德鲁伊会梦见变形羊吗？ adds the show’s Celtic mythology branch through Celtic Mythology. It connects 达努, 达格达, Tuatha De Danann / 达努神族, 《入侵之书》, 图安, 芬恩, and Oisin / Ossian / 鹅相 to Druidic Knowledge, Celtic Animal Transformation, Celtic Otherworld, Mythic Source Layering, Myth As Historical Evidence, Story Motif Transmission, and Otherworld Portal Narrative, extending the show’s mythology method beyond Chinese, Greek, African, and zodiac-animal branches.

140. 还可以的金女士：“所以人为什么要努力啊？！” adds the show’s contemporary women’s memoir and effort-interrogation branch through 金子’s 《还可以的金女士》. The episode connects 小镇做题家规训, 吃苦文化作为教育, 努力叙事追问, 相信自己的感受, 女性美貌自我监控, and 体面税 to the show’s existing education-pressure, female self-possession, creator-pressure, and workplace-hidden-rule branches.

155.美貌能当饭吃吗?想赚钱该做点啥?拮据时应避免什么行为?经济学思维有什么用？ adds the show’s applied economics and beauty-economics branch through 《长得好看能当饭吃吗》. It connects Economic Way Of Thinking, Everyday Behavioral Economics / 日常行为经济学, Loss Aversion / 损失厌恶, Mental Accounting / 心理账户, Price Elasticity / 价格弹性, Free Service Hidden Cost / 免费服务隐性成本, Platform Subsidy Scale Economics / 平台补贴规模经济, Marginal Income Scaling / 边际收入放大, Beauty Economics / 美貌经济学, and Attractiveness Labor-Market Premium / 外貌劳动力市场溢价 to the show’s earlier ordinary-reader economics, psychology, and female self-surveillance material.

139. 为什么伟大不能被计划：有志者事竟成，吗？ adds the show’s goals, innovation, and reading-as-exploration branch through 《为什么伟大不能被计划》. The episode connects Objective Deception, Novelty Search, Stepping-Stone Exploration, and Campbell’s Law to the show’s existing non-instrumental reading and luck frameworks, arguing that complex achievements, careers, and research often emerge through interesting stepping stones rather than direct pursuit of a fixed endpoint.

138.企鹅课：我在海滩上捡到一位Q老师 adds the show’s 《企鹅课》 / The Penguin Lessons branch. It connects Tom Michell / 汤姆·米切尔, Juan Salvador / 胡安·萨尔瓦多, Magellanic penguin / 麦哲伦企鹅, St. George’s School / 圣乔治学校, Maria / 玛利亚, Argentina, and Uruguay to Wild-Animal Rescue Responsibility, Oil-Pollution Wildlife Harm, Companion Animal Health, Animal Welfare As Public Health, and Empathy Circle Expansion, extending the show’s animal and care branch from companion animals into wild-animal rescue, school community, and ecological externality.

135.闲聊伟大作家们的八卦（第三弹） adds the show’s third great-writer gossip installment. It connects Mark Twain / 马克·吐温, H. G. Wells / H. G. 威尔斯, Jean-Paul Sartre / 萨特, and Ayn Rand / 安·兰德 to Literary Gossip As Context, Author Myth Deflation, Free Love Practice Gap / 自由恋爱实践落差, Objectivism / 客观主义, Existentialism / 存在主义, Ideological Totalization Risk / 主义万能钥匙风险, and Offensive Humor Speech Space / 冒犯性幽默空间, extending the show’s recurring practice of using stories before doctrine while keeping author gossip source-scoped.

134.查令十字街84号：再次原谅世界的理由 adds the show’s 《查令十字街84号》 branch. 秦总 uses 海莲·汉芙, 弗兰克·多尔, and 马克斯与科恩书店 to argue that the book’s value is not simply romance, but Epistolary Friendship / 书信友谊, Old Book Materiality / 旧书物质性, trust-based bookselling, Dignity Through Small Gifts / 小礼物中的尊严, and Bookstore Serendipity / 书店偶遇感.

sp.06 串台｜和李乌鸦＆超哥 high 聊：做读书博主的“守墓心得” adds the show’s explicit book-creator self-reflection branch. With 李乌鸦 and 超哥, 秦总 turns the show back on the work of making reading content: deadline improvisation, platform data, video/podcast constraints, 《文化有限》, Bridge-Style Reading Content, Gendered Creator Confidence, Algorithmic Anger Engagement, Reading As Cognitive Restoration, and Book As Grave Memory Work.

133. IBM与纳粹：为什么普通人不应赞美鸡贼主义 adds the show’s IBM, Nazi Germany, and technology-ethics branch. It connects IBM, Thomas J. Watson, Herman Hollerith, 德霍梅格, Willy Heidinger / 海丁格尔, Jacobus Lentz / 雅各布斯·伦次, and Rene Carmille / 勒内·卡米耶 to Punched Card Administration / 打孔卡行政, Data-Enabled Persecution / 数据化迫害, Corporate Complicity With Authoritarianism / 企业对威权的共谋, Technical Resistance From Within / 体制内技术抵抗, Appeasement Logic / 绥靖逻辑, and Clever Opportunism As Moral Risk / 鸡贼主义的道德风险, while extending the show’s existing Arendt, disobedience, political-realism, and ordinary-resistance branches.

132.争论与说服：我们为什么吵架，怎么才算赢？ adds the show’s argument, persuasion, and belief-change branch through 《争论与说服》 / How Minds Change. It connects 秦总’s online-argument experience and the two hosts’ discussion of perception, conspiracy, vaccine discourse, fandom, and deep persuasion to Subjective Reality Construction / 主观现实建构, Cognitive Inertia / 认知惰性, Tribal Truth / 部落真相, Group Polarization / 群体极化, Elaboration Likelihood Model / 精细加工可能性模型, Deep Canvassing / 深度说服, Public Argument For Bystanders / 给第三方看的争论, and Naming Power In Social Change / 社会变革中的命名权, while extending the show’s existing Social Psychology / 社会心理学, Scientific Skepticism, Internet Moral Trial / 互联网审判, Communication Boundary Setting, and Negotiation As Bargaining / 谈判即商量 branches.

131.“日常之谜”推理：是我未能说出口的真心 adds the show’s 日常推理 / 日常之谜 branch through 《仙人掌之花》, 加纳朋子’s 《玻璃长颈鹿》, and 米泽穗信’s 《小市民》系列. It connects warm gratitude, traumatic guilt, and dessert-table evidence play to 说不出口的心事, while extending the show’s existing mystery branch from 推理薯片, 本格推理, 设定系推理, 妖怪推理, and 《放学后的小巷》.

130.托卡尔丘克《怪诞故事集》：寻找和告别 adds the show’s Tokarczuk and everyday-weirdness branch through 托卡尔丘克’s 《怪诞故事集》. It connects 〈旅客〉, 〈拜访〉, 〈接缝〉, 〈罐头〉, and 〈变形中心〉 to Everyday Weirdness, Fourth-Person Narrative, Self-Recognition Horror, Aging Reality Estrangement, Domestic AI Relations, Transformation As Exit, Ovid / 奥维德, 《变形记》, and 徐熙元, while extending the show’s existing weird fiction, AI, aging, and end-of-life ethics branches.

129.如何成为真正的不完美主义者，浑身是劲儿！ adds the show’s anti-perfectionism, procrastination, and small-action branch through 《如何成为不完美主义者》. It connects 秦总’s noisy recording and topic-selection examples, 北明’s lower-perfection contrast, SpaceX trial-and-error, 小S, and 《康熙来了》 to Perfectionism As Avoidance, Imperfect Action Practice, Binary Action Thinking, Failure Desensitization, High General, Low Specific Expectations, Concrete Self-Praise, and Impostor Syndrome.

128.闲聊十二生肖之蛇：从耶梦加得到赵灵儿 adds the show’s zodiac-snake, serpent-mythology, and snake-woman branch. It connects 十二生肖, 蛇, 白蛇传, and 赵灵儿 to Snake Cultural Symbolism, Snake Religious Mythology, Snake Renewal And Secret Knowledge, and Snake Female Power Motif, while extending the show’s existing folklore-method pages around Mythic Source Layering, Myth As Historical Evidence, Story Motif Transmission, Chinese Folk Religion Layering, and 民俗作为社会记忆 / Folklore As Social Memory.

sp.05 【刘擎x林垚】"枪杀医保巨头"案背后的思考（下）：分裂的美国会有宪政危机吗？ completes the show’s two-part 东腔西调 crossover on the UnitedHealthcare / 联合医保 CEO killing by shifting from private violence to the United States’ political-system crisis. It connects Donald Trump, MAGA / Make America Great Again, MAGA Coalition Fracture, U.S. Constitutional Reform Constraint, U.S. Constitutional Crisis Risk, Identity Politics As Political Sorting, Black Lives Matter, and Institutional Speech Punishment to the show’s existing political-assassination, law, and democratic-resilience branches.

sp.04 【刘擎x林垚】“枪杀医保巨头”案背后的思考(上)：关于民粹、私刑和死刑 adds a crossover branch with 东腔西调, 刘擎, and 林垚 on the UnitedHealthcare / 联合医保 CEO killing and the Luigi case. It connects the show’s recent assassination and law-philosophy interests to U.S. Health Insurance Denial Politics, U.S. Federalism Veto Points, Populist Democratic Energy, Vigilante Justice Universalization Risk, and Capital Punishment Retribution Problem, while extending Political Assassination Ethics / 政治刺杀伦理, Private Revenge And Modern Law, Criminal Law As Power Limitation, and Punishment Theory Tradeoff into a contemporary U.S. health-care and death-penalty controversy.

127. 闲聊十二生肖之龙：神奇动物在哪里 adds the show’s zodiac-dragon, folklore, translation, and national-symbol branch. It connects 十二生肖, 龙, 大清龙旗, 闻一多, 施爱东, 《中国龙的发明：近现代中国形象的域外变迁》, and 《龙的传人》 to Chinese Dragon Mythic Layering / 中国龙神话层累, Chinese Dragon Imperial Symbolism / 中国龙的皇权符号化, Cross-Cultural Dragon Translation / 龙与 Dragon 的跨文化翻译, Totemism And Nationalism / 图腾主义与民族主义, and Dragon National Symbol Invention / 龙的民族象征发明, while extending the show’s existing method pages around Mythic Source Layering, Myth As Historical Evidence, Chinese Folk Religion Layering, Story Motif Transmission, 民俗作为社会记忆 / Folklore As Social Memory, and Historical Memory Contest.

126.王莽之死：神圣帝国的回旋镖，和回旋镖的回旋镖 adds the show’s Chinese imperial-legitimacy and Wang Mang branch through 张向荣’s 《祥瑞》. It connects 王莽, Western Han, Xin dynasty, 王政君, 汉哀帝, 董贤, 汉平帝, 刘邦, 刘秀, 昆阳之战, 赤眉, 绿林, and 董仲舒 to Mandate of Heaven Legitimacy / 天命合法性, Dynastic Legitimacy Backfire / 王朝合法性回旋镖, Chenwei Politics / 谶纬政治, Auspicious Omen Politics / 祥瑞政治, Moral Reputation as Political Capital / 道德名望政治资本, Confucian Ideal Governance / 儒家理想治理, Tuogu Reform Politics / 托古改制政治, Wang Mang Reforms / 王莽改制, Confucian Foreign Policy Moralism / 儒家外交道德主义, and Ideological Overcontrol / 意识形态过度控制, while extending the show’s recent death-of-rulers sequence from Caesar and Marat into Chinese dynastic sacred politics.

125. 马拉之死：卑鄙的暗杀，或正义的处决？ adds the show’s French Revolution, political-assassination, and revolutionary-terror branch through Jean-Paul Marat / 让-保罗·马拉, Charlotte Corday / 夏洛特·科黛, French Revolution / 法国大革命, Girondins / 吉伦特派, Jacobin Club / 雅各宾俱乐部, Maximilien Robespierre / 罗伯斯庇尔, Georges Danton / 丹东, Jacques-Louis David / 雅克-路易·大卫, The Death of Marat / 《马拉之死》, Antoine Lavoisier / 拉瓦锡, September Massacres / 九月屠杀, and Thomas Paine / 托马斯·潘恩. It connects David’s martyr image, Corday’s republican motive, Jacobin virtue language, revolutionary denunciation, Lavoisier and anti-expert suspicion, and the Caesar/Brutus comparison to Political Assassination Ethics / 政治刺杀伦理, Revolutionary Terror Politics / 革命恐怖政治, Revolutionary Martyrdom Image-Making / 革命殉道图像制造, Science Under Revolutionary Suspicion / 革命怀疑下的科学, and Revolutionary Virtue Politics / 革命美德政治, while extending Tyrannicide Republican Dilemma / 弑君式共和困境, Republican Memory Against Dictatorship / 反独裁的共和记忆, Private Revenge And Modern Law, Power-Violence Distinction / 权力与暴力区分, Historical Memory Contest, Moral Suspension In Art Reading, Female Revenge And Political Order, and Post-Victory Oppression Risk / 胜利后的压迫风险.

124. 恺撒之死：历史的韵脚，是否已失效？ adds the show’s Roman political-history and classical-memory branch through Julius Caesar / 尤利乌斯·恺撒, the Roman Republic / 罗马共和国, and the assassination of Caesar. It connects Marcus Brutus / 马库斯·布鲁图斯, Gaius Cassius Longinus / 卡西乌斯, Decimus Junius Brutus / 德奇姆斯, Mark Antony / 马克·安东尼, Octavian / Augustus / 屋大维, Cleopatra VII / 克娄巴特拉七世, Pompey / 庞培, Marcus Licinius Crassus / 克拉苏, Cicero / 西塞罗, Cato the Younger / 小加图, Gaius Marius / 马略, Lucius Cornelius Sulla / 苏拉, William Shakespeare / 威廉·莎士比亚, and Julius Caesar / 《尤里乌斯·恺撒》 to Late Roman Republic Crisis / 罗马共和国晚期危机, Military Personalization / 军队私人化, Personal Rule Legitimacy Crisis / 个人统治正当性危机, Tyrannicide Republican Dilemma / 弑君式共和困境, Republican Memory Against Dictatorship / 反独裁的共和记忆, and Historical Rhyme Political Reading / 历史押韵式政治阅读, while extending Machiavellian Realism, Moral Suspension In Art Reading, and Historical Memory Contest.

123.人性实验：当心你自己！ adds the show’s 社会心理学 and media-self-suspicion branch. It connects Hostile Media Effect / 敌意媒体效应, Priming And Stereotype Memory / 启动效应与刻板印象记忆, Actor-Observer Bias / 行动者-观察者偏差, Deindividuation / 去个体化, Gilbert-Spinoza Hypothesis / 吉尔伯特-斯宾诺莎假设, Money Illusion / 货币错觉, and Emotional Contagion / 情绪感染 to the show’s existing interests in Scientific Skepticism, Internet Moral Trial / 互联网审判, Motivated Bias / 动机偏差, Rational Humility, and ordinary judgment under pressure.

122.匹诺曹：成长的惨痛及其所创作的 adds the show’s 《木偶奇遇记》 and painful-growth branch through Pinocchio / 匹诺曹, Carlo Collodi / 卡洛·科洛迪, Geppetto / 杰佩托, and Blue Fairy / 蓝仙女. It connects the original’s dark dream structure, Disney adaptation memory, the briefness of the long-nose motif, the Hero Journey Narrative, Nonhuman Becoming Human Motif, and Growth As Protector Role to the show’s existing Adult Fairy-Tale Reading, Children’s Literature Complexity, Classic Reading Complexity, and Robot-Human Boundary branches.

121.极简法医鉴识手册：一切犯罪，皆有痕迹 adds the show’s forensic-science and public-safety branch through 《极简法医鉴识手册》. It connects法证鉴识, Locard’s Exchange Principle, CSI Effect, body farms, drowning uncertainty, bloodstains, death-time inference, insects, toxicology, criminal profiling, and public poisoning to the show’s existing interest in Observation Before Inference, Evidence Over Testimony, Internet Moral Trial / 互联网审判, Animal Welfare As Public Health, and Contested Forensic Attribution.

120.蓝狐岛：伟大事业中的雄心与现实 adds the show’s Russian exploration, North Pacific, and historical-ecology branch through Vitus Bering / 维图斯·白令. It connects Peter the Great / 彼得大帝, Russian Empire / 俄罗斯帝国, First Kamchatka Expedition / 第一次勘察加探险, Great Northern Expedition / 大北方探险, Georg Wilhelm Steller / 乔治·威廉·斯特勒, Bering Island / 白令岛, Alaska / 阿拉斯加, Sea Otter / 海獭, and Russian-American Company / 俄美公司 to Imperial Exploration Logistics, Expedition Command Fragmentation, Scurvy Nutrition Insight, Russian North Pacific Expansion, and Exploration To Extraction Pipeline, while extending the show’s existing island ecology, environmental tradeoff, material history, and observation-before-inference branches.

119.安乐死现场：正因生命如此珍贵 adds the show’s assisted-death and end-of-life ethics branch through 《安乐死现场》. It connects Life Circle, Dignitas, Brittany Maynard / 布列塔尼, Dan Diaz / 丹·迪阿斯, Ramon Sampedro / 桑佩德罗, 林优里 / Hayashi Yuri, 王明辰 / Wang Mingchen, and 蒲莲生 / Pu Liansheng to Assisted Death Concept Boundary, Cross-Cultural Assisted Death Ethics, End-of-Life Autonomy And Dignity, Assisted Death Clinical Responsibility, Family Ethics At End Of Life, Death Option As Psychological Relief, and Euthanasia Uncertainty Stance, while extending Pain And Moral Responsibility, 安宁疗护 / Hospice Care, Subject-Led Care, Present Moment Against Death, Rational Humility, and Internet Moral Trial / 互联网审判.

118.是，大臣：辛辣讽刺永不过时 adds the show’s British political-satire and bureaucracy branch through 《是，大臣》 / Yes Minister and 《是，首相》 / Yes, Prime Minister. It connects James Hacker, Humphrey Appleby, Bernard Woolley, Arnold Robinson, and Baillie College to Institutional Mechanism Satire, Civil Service Continuity / 文官连续性, Administrative Opacity As Control, Bureaucratic Workload Control, and Honours Patronage Exchange, while extending Bureaucratic Risk Avoidance, Machiavellian Realism, Controlled Humor With Pain, and the show’s existing English political-satire branch from 《格列佛游记》.

117.诅咒兔：怪谈文学也要上桌吃饭 adds the show’s Korean guaitan and genre-legitimacy branch through 郑宝拉’s 《诅咒兔》. It uses 韩江 as literary context and connects 《头》, the title story, 《伤疤》, and 《不受家》 to 怪谈文学, Genre Literary Legitimacy / 类型文学正名, Gendered Domestic Horror / 性别化家庭恐怖, Post-Revenge Emptiness / 复仇之后的虚无, Weird Fiction, Folklore Trauma Encoding, 民俗作为社会记忆, and Female Revenge And Political Order.

116.不服从的艺术：分享一些实战方法，还有力量 adds the show’s practical dissent and disobedience branch through 《不服从的艺术》. It connects Todd Kashdan, Erich Fromm, On Disobedience / 论不服从, Charles Darwin / 查尔斯·达尔文, Ignaz Semmelweis, Elizabeth Jennings Graham, Project Aristotle, Martha Goddard, Kara Hultgreen, and Patrick Burns to Principled Disobedience / 原则性不服从, Status-Quo Rationalization / 现状合理化, Constructive Dissent / 建设性异议, Insider Dissent Strategy / 局内人异议策略, Psychological Flexibility For Dissent / 不服从中的心理灵活性, and Post-Victory Oppression Risk / 胜利后的压迫风险, extending the show’s existing negotiation, law, Arendt, education, and whistleblower branches.

115.京极夏彦今昔续百鬼：不研究妖怪，怎么好好做人？ adds the show’s 京极夏彦 and 妖怪推理 branch through 《今昔续百鬼·云》 and 《暗眼小僧》. It connects 多多良胜五郎, 沼上蓮次, 中禅寺秋彦, 鸟山石燕, and 多田克己 to 妖怪图像阐释, 民俗作为社会记忆, Evidence-Bound Folklore Inquiry, Legend As Social History, Observation Before Inference, and Interpretation And Overinterpretation, while clarifying the difference between demystifying yokai mystery and 设定系推理.

114.又到持螯赏菊时，聊聊螃蟹的趣闻史话 adds the show’s crab-centered food, folklore, and literary-history branch. It connects 螃蟹, dazha-crab naming, crab-catching tools, rice-field pest history, Song literati taste, 《金瓶梅》, 《红楼梦》, 李琪’s 《讯蟹书》, and 黄庭坚 to Crab Cultural Symbolism, Animal Moral Projection, Eating And Killing Moral Ambivalence, Festival Food Material History, and Story Motif Transmission.

106.别再害怕冲突，快来学习谈判术！ adds the show’s negotiation and conflict-method branch through 《哈佛经典谈判术》. It connects 秦总’s solo discussion to Negotiation As Bargaining / 谈判即商量, BATNA / Best Alternative to a Negotiated Agreement, Reservation Value / 谈判底线, Zone Of Possible Agreement / 协议区间, Anchoring Effect / 锚定效应, Concession Signaling / 让步信号, Multi-Issue Negotiation / 多议题谈判, Contingent Agreement / 权变协议, Zero-Sum Bias / 零和偏误, Escalation Of Commitment / 非理性投入升级, Framing Effect / 表述框架效应, Motivated Bias / 动机偏差, and Interest-Based Negotiation / 利益导向谈判, extending the show’s recurring concern with practical reasoning, life design, and turning anxiety into action.

105.苏东坡：一腔豪迈之气，一肚皮不合时宜 adds the show’s 北宋 poet-official branch through 苏轼 / 苏东坡. It connects the 苏洵, 苏辙, 程夫人, 欧阳修, 王安石, 宋神宗, 司马光, 王弗, and 王朝云 network to 王安石变法, 宋代党争, 乌台诗案, Poetry As Political Evidence / 诗文作为政治证据, Earned Optimism / 走出来的乐天, Conscience Over Faction / 良知高于党派, Scholar-Official Public Duty / 士大夫公共责任, and Local Governance As Care / 地方治理作为照护, while extending the show’s recurring interest in flawed cultural icons, difficult classics, and stories that make public responsibility emotionally legible.

104.你一生的故事：终点已经注定，还要出发吗？ adds the show’s Ted Chiang / 江峰南 science-fiction and philosophy branch through 《你一生的故事》 / Story of Your Life. It connects 《降临》 / Arrival, Louise Banks / 路易斯·班克斯, Gary Donnelly / 盖雷·唐纳利, heptapods / 七肢桶, Heptapod B, Linguistic Relativity, Fermat’s Principle of Least Time, Nonlinear Time Perception, and Predestined Choice, then extends the branch through 《除以零》, 《巴比伦之塔》, 《商人和炼金术之门》, 《领悟》, and Rational Worldview Collapse.

sp.03 串台｜趁生命气息逗留：泽拉兹尼与他的梦境 adds the show’s Roger Zelazny / 罗杰·泽拉兹尼 branch through 《趁生命气息逗留》. It connects 北明’s translation work and 逗逗’s editorial context to New Wave Science Fiction / 科幻新浪潮, Mythic Science Fiction Style, Robot-Human Boundary, Embodied Personhood, Digital Transcendence As Control, and Nonhuman Narrative Voice, while extending the show’s earlier Lem and Ted Chiang science-fiction reading into a more mythic, poetic, and humanistic mode.

103.她是刺穿夜雾的光，她是汉娜·阿伦特 adds the show’s twentieth-century political-theory and exile branch through 汉娜·阿伦特. It connects 《汉娜·阿伦特：爱与恶》, 《艾希曼在耶路撒冷》, Martin Heidegger, Karl Jaspers, Heinrich Blücher, Walter Benjamin, and Adolf Eichmann to Banality Of Evil / 恶的平庸性, Responsibility Versus Guilt / 责任与罪行区分, Political Truth-Telling / 政治性说真话, Stateless Exile / 无国籍流亡, Power-Violence Distinction / 权力与暴力区分, and Intellectual Responsibility Under Authoritarianism, while extending the show’s recurring concern with truth, judgment, ordinary courage, and moral responsibility under institutional pressure.

102.江湖丛谈：骗术、黑话和民间道义 adds the show’s old-Jianghu street-society and language branch through 连阔如’s 《江湖丛谈》. It connects Street Jianghu Society, 春点 / Chun Dian Argot, Jianghu Scam Craft, Informal Jianghu Order, and Jargon Boundary Making to the show’s existing interest in language, moral ambiguity, fraud, folklore, and how social systems become readable through books.

100.法律的悖论：谢天谢地，幸好我们还有罗翔 adds the show’s law-philosophy branch through 罗翔’s 《法律的悖论》. It connects criminal-law judgment to Legal Paradox Thinking, Law-Morality Boundary, Criminal Law As Power Limitation, Punishment Theory Tradeoff, Collateral Punishment And Guilt By Association, Veil Of Ignorance, Liberalism-Paternalism Boundary, and Legal Interest Individual Reduction, while extending the show’s recurring concerns with Rational Humility, Internet Moral Trial / 互联网审判, weak-position empathy, and the danger of single-answer certainty.

101.曹寅与康熙：红楼梦醒终有时 adds the show’s 《红楼梦》 family-history and Qing institutional branch through 史景迁’s 《曹寅与康熙》. It connects 曹寅, 康熙, 清代曹家, 江宁织造, and 李煦 to 皇室包衣治理 / Imperial Bondservant Governance, 皇室财政弹性 / Imperial Fiscal Elasticity, 南巡政治剧场 / Southern Tour Political Theater, 密折政治情报 / Secret Memorial Political Intelligence, and 红楼家族史回声 / Red Chamber Family History Echo, while keeping family history separate from total Red Chamber decoding.

112. 闲聊金庸第一弹：明教竟然今天还存在？ adds the show’s 金庸 and modern wuxia branch. The episode connects Wuxia Intertextual Craft, Historical Jianghu Space, Jin Yong Political Reading, and 明教 / 摩尼教在中国 by showing how martial-art names, Daoist poisons, older swordswoman legends, Song mobility, Ming control, 1967 Hong Kong politics, and Fujian religious survivals all become functional material inside popular fiction.

113.亨丽埃塔与那场将人类学送上审判席的谋杀案 adds the show’s anthropology, true-crime, and victim-protection branch through Henrietta Schmerler / 亨丽埃塔·施梅勒. It connects White Mountain Apache / 怀特山区阿帕齐, Ruth Benedict / 本尼狄克特, Margaret Mead / 米德, Franz Boas / 博尔斯, Columbia University, and Gurney Seymour / 高尔尼·西摩尔 to Anthropology Fieldwork Safety, Fieldwork Sexual Violence, Victim Blaming As Institutional Defense, Disciplinary Self-Protection After Harm, and Cultural Relativism Victim Protection Boundary, while extending the show’s existing law, evidence, and true-crime concerns.

02.离婚：郭德纲都不如老舍有意思 adds the show’s Lao She full-novel branch through 《离婚》. It connects 老舍, 老李, 张大哥, 小赵, 丁二, 李太太, and 马少奶奶 to Controlled Humor With Pain, Crosstalk Literary Rhythm, Decent Life As Control, Beiping Office World, Romantic Projection Trap, and Ordinary Escape Courage, while extending Lao She Satirical Humanism, Renqing Order, Workplace Hidden Rules, Classic Reading Complexity, and Non-Instrumental Literary Reading.

01.麦田守望者：20世纪的美国贾宝玉 adds the show’s modern American literature and cross-cultural comparison branch through 《麦田里的守望者》. It connects J. D. Salinger / 塞林格, Holden Caulfield / 霍尔顿, 菲比, 贾宝玉, and 《红楼梦》 to American Jia Baoyu Comparison, Adolescent Alienation Recognition, and Literary Subculture Symbolization, while extending the show’s existing Classic Reading Complexity, Reading As Life Experience, Non-Instrumental Literary Reading, Literary Gossip As Context, Author Myth Deflation, and Antihero Misreading branches.

99.很久很久以前，妖怪也推理啊… adds the show’s setting-based mystery and Japanese folk-tale adaptation branch through 青柳碧人’s 《很久很久以前，在某个地方有一具尸体》. It connects 设定系推理, 本格推理, 民间故事推理改写, 一寸法师, and 猿蟹合战, while extending 推理薯片, Story Motif Transmission, 暴风雪山庄, Observation Before Inference, and Absurd Rationality.

98.自卑与超越：向前看，前方有希望 adds the show’s Adlerian psychology, self-knowledge, and youth-courage branch through Alfred Adler / 阿尔弗雷德·阿德勒’s 《自卑与超越》. It connects Individual Psychology, Adlerian Teleology, Inferiority-Superiority Dynamic, and Community Feeling to the show’s existing concern with Achievement Pressure Mental Health, Anti-Authoritarian Education, Objective Self-Ownership, Action Against Anxiety, and Meaning Through Experience, while keeping trauma, illness, and structural constraints from being flattened into blame.

97.花粉症与人类：从尼安德特人（啊啾！）到空气净化器… adds the show’s pollen-allergy, natural-history, and environmental-medicine branch through 《花粉症与人类》 / 花粉症と人類. It connects 小塩海平 / 小盐海平, Charles Harrison Blackley / 查尔斯·哈里森·布莱克利, Air Purifier / 空气净化器, Pollen As Historical Object, Palynology As Evidence, Hay Fever Environmental History, Allergy As Immune Response, Allergy Source Control, and Ragweed Ecological Feedback, while extending the show’s existing Material History Narrative, Observation Before Inference, Self-Experimentation, Environmental Tradeoff Accounting, and Urban Ecology threads.

开天窗｜指路兼推荐几本书 adds the show’s short reading-list and platform-pointer mode. It routes listeners from a holiday-adjusted “开天窗” slot toward 《他们的性》, 《初老的女人》, 《烧钱》, 《光棍危机》, 《居酒屋的诞生》, and 《魔鬼出没的世界》, while keeping the claims thin enough for Reading List Pointer Episode rather than full review pages.

96.荷马史诗：在假装永生的时代，我们重读死亡（伊利亚特篇） adds the show’s Homeric epic and mortality-reading branch through 《伊利亚特》. It connects Homer, 阿基里斯, 赫克托, 帕特罗克洛斯, 普里阿摩斯, 阿加门农, and 海伦 to Homer Question, Oral-Formulaic Epic, Homeric Mortality Reading, and Muthos Logos Tension, while extending the show’s existing Greek Mythology, Classic Reading Complexity, Non-Instrumental Literary Reading, Moral Suspension In Art Reading, and Story-Based Empathy threads.

95.都市传说：猎奇故事和我们内心深处的焦虑 adds the show’s contemporary-folklore and rumor-anxiety branch through 都市传说. It connects Richard Dorson / 理查德·多尔森, Charles Fort / 查尔斯·霍伊·福特, Jan Harold Brunvand, 花衣魔笛手, brand contamination rumors, campus and hospital legends, Roswell Incident / 罗斯维尔事件, The X-Files / X档案, and Starlink to Story Motif Transmission, Legend As Social History, Folklore Trauma Encoding, Conspiracy Theory Pattern Seeking, and UFO Conspiracy Culture.

94.吉卜力的天才们：我的人生，交给热爱和友谊 adds the show’s Studio Ghibli / 吉卜力工作室 and animation-production branch through 铃木敏夫’s 《吉卜力的天才们》. It connects 宫崎骏, 高畑勋, 《风之谷》, 《龙猫》, 《萤火虫之墓》, 《幽灵公主》, 《千与千寻》, and 《你想活出怎样的人生》 to Creative Producer Mediation and Animation Studio Creative Ecology, while extending Director Myth Deflation, Auteur Theory, and Art Commerce Integration.

92.柏拉图上班记：用哲学搞笑职场 adds the show’s philosophy-comedy and workplace-satire branch through 《柏拉图上班记：哲学家的职场百态》. It connects 思考理性有限公司, 柏拉图, 苏格拉底, 尼采, 福柯, 斯宾诺莎, 马克思, 伏尔泰, 卢梭, and 笛卡尔 to Philosophy Workplace Satire, Labor Moral Ambivalence, Office Surveillance And Privacy, Corporate Theology And Capital Control, and Institutionalized Small Freedom, while extending the show’s existing rationality, workplace, and surveillance threads.

91.猎巫：塞勒姆1692，从癔症开始 adds the show’s Salem witch-hunt and public-judgment branch through 斯泰西·西夫’s 《猎巫：塞勒姆1692》. It connects the 塞勒姆猎巫 to Witch-Hunt Mechanism / 猎巫机制, Spectral Evidence / 幽灵证据, Political Show Trial, Coerced Denunciation, Evidence Over Testimony, Internet Moral Trial / 互联网审判, and Rationalist Method, while extending the show’s existing skepticism and reasoning branch from 笛卡尔, Observation Before Inference, and Rational Humility.

90.酉阳杂俎：血滴子和武则天手指上的黑毛 adds the show’s 《酉阳杂俎》 and Tang miscellany branch through 段成式. It connects strange tales, court rumor, 《叶限》, Buddhist hells, Daoist practices, heavenly and underworld officialdom, servant-killing stories, natural wonders, and Tang Miscellany Archive Value, while extending 唐传奇 / Tang Chuanqi, Story Motif Transmission, Chinese Folk Religion Layering, Underworld Bureaucracy, Mythic Source Layering, Classic Reading Complexity, and Non-Instrumental Literary Reading.

89.剑桥夜攀者：让我们庄严地上房揭瓦 adds the show’s Cambridge campus-culture and odd-adventure-book branch through 《剑桥夜攀者》. It connects University of Cambridge, Noel H. Symington / 诺埃尔·H.赛明顿, Geoffrey Winthrop Young, 《三一学院攀爬指南》 / Trinity College Climbing Guide, and King’s College Chapel / 国王学院礼拜堂 to Campus Night Climbing, Campus Prank Ethics, and Roofscape Attention, while keeping the dangerous climbing material framed as non-instructional cultural reading.

76.玄怪录：晚唐党争？没耽误宰相写大马猴的故事 adds the show’s 唐传奇 and late-Tang strange-tale branch through 牛僧儒’s 《玄怪录》 and 《续玄怪录》. It connects 牛李党争, 李德裕, 李宗闵, and 《周秦行纪》 to Late Tang Political Poetics, while adding Tang Strange-Tale Repayment Ethics and Transcendence Against Human Feeling through fox, dragon, water-monkey, and 《杜子春》 stories.

75.故事新编：骷髅被复活后会感激庄子吗？ adds the show’s Lu Xun and myth-rewriting branch through 《故事新编》, especially 《理水》 and 《起死》. It connects 鲁迅, 大禹, 顾颉刚, 古史辨, 庄子, 《齐物论》, 杨大, and 郭沫若 to Disaster Aestheticization and Instrumental Belief Critique, while extending the show’s existing Classic Reading Complexity, Non-Instrumental Literary Reading, 索隐式阅读 / Suo Yin Reading, and Interpretation And Overinterpretation threads.

中秋快乐！ adds the show’s holiday reading-list and festival-food branch. It connects travel books, staying-home essays, 云南 local history, 《中亚行迹》 / Sovietistan, and 《中华蟹史》 to Travel Reading As Place Inquiry, Festival Food Material History, Material History Narrative, Reading As Life Experience, and Restorative Creative Pacing, showing how a light episode can still make durable reading methods and material-history links.

70.医生，你在想什么：少看百度，以及吃药时别吃西柚啊 adds the show’s medical-literacy and clinic-cooperation branch through 王兴医生’s 《医生，你在想什么》. It connects ordinary patient behavior, online symptom search, medical records, second opinions, medication warnings, and checkups to Doctor-Patient Communication, Medical Diagnostic Reasoning, Medical Risk Management, Online Symptom Search Anxiety, Medication Interaction Risk, and Preventive Health Screening, while extending the show’s existing health, aging, and insurance concerns through Health Insurance Planning and 小雨伞.

69.闲聊推理文学：历史学者可不就是侦探吗！ adds the show’s detective-fiction and historical-method branch through 张志浩 of 《历史播客》. It connects 约瑟芬·铁伊, 《时间的女儿》, 理查三世, 塔中王子案, 曹操墓, 《螺丝在拧紧》, 《巴斯克维尔的猎犬》, and Jack the Ripper to Historical Detective Reasoning, Evidence-Bound Historical Revision, 公案小说, Chinese Detective Modernity, and Personal Archive As History, while extending the show’s existing observation, overinterpretation, mystery, and social-history concerns.

68.疯狂实验史：哎！这该死的求知欲… adds the show’s science-history and experiment-ethics branch through 《疯狂实验史》. It connects Frankenstein / 《弗兰肯斯坦》, Giovanni Aldini, Stubbins Ffirth, August Bier, Winthrop Kellogg, Charles Darwin, and Robert Boyle to Experimental Science Ethics, Self-Experimentation, Animal Experiment Ethics, Child Experiment Ethics, Scientific Public Spectacle, Circadian Rhythm Experimentation, Doppler Effect, and Experimental Failure As Knowledge, while extending the show’s existing evidence, skepticism, and observation concerns.

141. 制造弗兰肯斯坦：科幻之母和她的神奇时代 expands that Frankenstein thread into a dedicated Mary Shelley / 玛丽·雪莱 and science-fiction-origin branch. It connects 《弗兰肯斯坦》, 《制造弗兰肯斯坦：玛丽·雪莱背后的科学》, the Shelley-Godwin-Byron circle, Animal Electricity Debate / 动物电争论, Vitalism And Life-Principle Debate / 活力论与生命本质争论, Cadaver Trade And Anatomy Fear / 尸体贸易与解剖恐惧, Modern Prometheus Reading / 现代普罗米修斯读法, Creator Responsibility Ethics / 创造者责任伦理, and Creature Social Exclusion / 被排斥者如何被制造成怪物 to the show’s recurring method of restoring classics to their full historical, bodily, and ethical context.

67.美狄亚：古希腊秦香莲的复仇及其现代性 adds the show’s Greek tragedy and Euripidean modernity branch through Euripides / 欧里比德斯’ 《美狄亚》 / Medea. It connects Medea / 美狄亚, 伊阿宋, Golden Fleece / 金羊毛, Dionysus / 狄俄尼索斯, 《酒神的伴侣》 / The Bacchae, Greek Tragedy, Tragic Modernity, and Female Revenge And Political Order, while extending the show’s existing Greek Mythology, Classic Reading Complexity, Female Self-Possession, and Moral Suspension In Art Reading threads.

66.鱼翅与花椒：聊吃的我可就不困了 adds the show’s food-writing, Sichuan cuisine, and cultural-translation branch through 胡霞 / Fuchsia Dunlop’s 《鱼翅与花椒》 / Shark’s Fin and Sichuan Pepper. It connects 成都, 四川, 川菜, Culinary Grammar, Food Texture Aesthetics, Food Cultural Bias, Market Freshness Culture, and Culinary Identity Transformation, while extending the show’s existing food and animal-ethics threads from Yunnan Wild Mushroom Culture and Food Animal Welfare into cross-cultural appetite, shame, pride, and ethical comparison.

137. 三更半夜居然要吃香蕉：是的，再来一根 adds the show’s disability independent-living and care-agency branch through 《三更半夜居然要吃香蕉》 and 鹿野靖明. It connects Disability Independent Living, Subject-Led Care, Volunteer Care Reciprocity, Japanese Disability Rights Movement, and Long-Term Care Insurance Planning, extending the show’s existing illness, body, insurance, and self-possession concerns into the question of how a person can remain fully self-directed while needing intensive daily help.

111. 花衣魔笛手：快来，和历史学家一起推理童话真相 adds the show’s European folklore and medieval social-history branch through 花衣魔笛手. It connects 阿布谨也, 《花衣魔笛手：传说背后的欧洲中世纪》, 哈默尔恩, and 格林兄弟 to Legend As Social History, Evidence-Bound Folklore Inquiry, Medieval Urban Marginality, and Folklore Trauma Encoding, extending the show’s existing fairy-tale and folklore interests from source variants into city law, class exclusion, migration, famine, plague, and the social work of traumatic memory.

110.初老的女人：疲惫，温柔，辽阔 adds the show’s late-life aging and women’s-body branch through 伊藤比吕美’s 《初老的女人》. It connects Embodied Aging, Age-Friendly Infrastructure, Female Body Freedom, Pet Grief And Care, Health Insurance Planning, and Poetry As Life Problem Solving, extending the show’s earlier material-history and self-possession concerns into old-age fatigue, bodily limitation, companion-animal logistics, and death-facing writing.

109.闲聊左传之春秋运动会！ adds the show’s pre-Qin classical-history branch through 《左传》 and 春秋时期 anecdotes. It connects 南宫长万, 蔡姬, 魏犨, 公子彭生, 高固, 养由基, 叔梁纥, and 孔子 to Sports As Historical Reading Frame and Spring-Autumn Warfare Ritual, extending the show’s classical-reading method from novels, poems, and folklore into war, ritual, aristocratic rules, and the comic strangeness of historical anecdotes.

93.聊聊头发：秃了，就会变强吗？ adds the show’s hair, body-history, and everyday-material branch through Kurt Stenn / 库尔特·斯坦’s 《头发》 / Hair. It connects Hair As Biosocial Signal, Hair Loss And Follicle Cycle, Minoxidil / 米诺地尔, 达菲辛, Hair As Political Identity, Gendered Hair Regulation, and Forensic Hair Evidence to the show’s existing habits of moving from science and material objects into social meaning, while keeping sponsor-linked treatment claims source-scoped.

168.放学后的小巷：致青春，致那年的友谊【日常推理强势回归！！】 adds the show’s Chinese daily-life mystery and youth-memory branch through 钟声礼’s 《放学后的小巷》. It connects 阿里, 严良, and 孟同学 to 日常推理, 体面保护式推理, 放学后记忆生态, and 国产推理出版生态, while extending the show’s existing mystery branch beyond 推理薯片 into small clues, poverty, self-respect, and adolescent friendship.

【闲聊】想送赵露思一本短歌集–编辑推书,无所不用其极！ adds the show’s book-promotion, celebrity-discourse, and public-expression branch through a 有问题呀 crossover. It connects 赵露思, 石川啄木, 《短歌是我悲伤的玩具》, and 韩钊 to Tanka As Everyday Expression, 活人感 / Live Human Feeling, Internet Moral Trial / 互联网审判, and Recognition As Humiliation, while extending the show’s existing interest in Reading As Life Experience, Non-Instrumental Literary Reading, Poetry As Emotional Release, and Creative Risk-Avoidance Culture.

【沙青青x韩钊】石川啄木：我抱持的思想，都是因为缺钱 returns to 石川啄木 as a dedicated literary-biography episode with 韩钊 and 沙青青. It connects 《短歌是我悲伤的玩具》, 唐纳德·基恩《石川啄木》, Donald Keene / 唐纳德·基恩, 金田一京助, 大逆事件, and 幸德秋水 to Short-Form Emotional Snapshot, Modern Japanese Interior Discovery, Meiji Intellectual Precarity, and Political Closure As Literary Pressure, extending the show’s recurring habit of pairing writer gossip with source discipline and literary form.

152.夜色如水话七夕，牛郎原本是保安？【民俗学系列填坑啦】 adds the show’s Qixi, folklore, and cultural-transmission branch. It connects 七夕 / Qixi, 牛郎织女, Swan Maiden Motif, Qiqiao Ritual Practice, Liu Zongdi / 刘宗迪, 《七夕》, 《东京梦华录》, and Qixi Cross-Cultural Transmission to the show’s existing interest in Story Motif Transmission, Mythic Source Layering, Myth As Historical Evidence, Chinese Folk Religion Layering, and Material History Narrative, while keeping speculative foreign-origin claims source-scoped.

151.早安,怪物：祝你战胜恐惧，祝你获得康复 adds the show’s psychotherapy, complex-trauma, and clinical-boundary branch through Catherine Gildiner’s 《早安，怪物》 / Good Morning, Monster. It connects Laura’s parentification and trauma numbing, Danny’s residential-school trauma, and Madeline’s shame-based self-concept to Therapy Relationship And Boundaries, Countertransference Boundary Risk, Complex Trauma Recognition, Traumatic Attachment, and Unfawning Boundary Practice, while keeping illness-symbolism claims source-scoped rather than medical proof.

150.吃菌！和阿错聊云南的鸡枞、松茸、见手青 adds the show’s Yunnan fungi, food-safety, and place-based fiction branch through 李飘, 阿错, and 《苍城》. It connects 云南, 大理, 丽江, 茶马古道, 鸡枞, 松茸, 见手青, and 干巴菌 to Yunnan Wild Mushroom Culture, Wild Mushroom Food Safety, Foraging Ethics, Place-Based Fiction, and Nature Contact And Self-Perception, while extending the show’s existing threads on Reading As Life Experience, Material History Narrative, Nature Writing, and Horse As Civilizational Infrastructure.

171.闲聊十二生肖之马：观音大士的兴趣爱好,及老头环角色的灵感 adds the show’s zodiac-horse, animal-history, and folk-symbol branch. It connects 马, 观音, 马头观音, 龙马, 布西法拉斯, 《艾尔登法环》, 大理甲马, Horse Cultural Symbolism, Horse Religious Mythology, Horse As Civilizational Infrastructure, Horse Domestication History, and Story Motif Transmission, while extending the show’s earlier threads on 《马蒂尔达》, Animal-Assisted Therapy, Chinese Character Evidence Discipline, Mythic Source Layering, Myth As Historical Evidence, and Greek Mythology.

186.让你笑到头掉仍不忘思考，伟大的《消逝世界漫游指南》 adds the show’s endangered-species and comic conservation branch through Douglas Adams / 道格拉斯·亚当斯, Mark Carwardine / 马克·卡沃丁, and 《消逝世界漫游指南》 / Last Chance to See. It connects the aye-aye, Komodo dragon, mountain gorilla, northern white rhinoceros, baiji, and kakapo to Humorous Conservation Writing, Last-Chance Ecological Witnessing, Wildlife Tourism Spectacle, Functional Extinction, Conservation Publicity Gap, Conservation Intervention, Island Extinction After Human Arrival, Invasive Species Management, Nature Writing, Anti-Anthropocentric Satire, and Empathy Circle Expansion.

185.魔鬼出没的世界：关于阴谋论、UFO与科学精神 adds the show’s Sagan, UFO, and public-skepticism branch through Carl Sagan and 《魔鬼出没的世界》. It connects UFO Conspiracy Culture, Roswell Incident / 罗斯维尔事件, Area 51 / 51区, Majestic 12 Documents / MJ-12文件, Alien Abduction Narrative, Crop Circle Debunking, Pseudoscience Fraud Vulnerability, and AI Information Pollution to the show’s existing interest in childhood science, overinterpretation, and evidence discipline, while making Scientific Skepticism, Scientific Self-Correction, Appeal To Ignorance, Garage Dragon Test, Occam’s Razor, Evidence Over Testimony, and Memory Contamination Risk explicit reasoning tools.

183.李商隐和红楼梦：偏僻性乖张，那管世人诽谤！ adds the show’s Tang poetry and 《红楼梦》 intertext branch through 李商隐. It connects late-Tang political pressure, inherited moral attacks on a poet, indirect love poetry, Daiyu’s stated dislike, Xiangling’s poetry learning, Baochai/Baoyu allusions, and Zhiyanzhai’s 西昆体 comment to Late Tang Political Poetics, Love Poetry Modernity, Classical Poetic Intertextuality, and 玉溪一脉入红楼 / Yuxi Into Honglou, while keeping the more ambitious intertextual claims evidence-bounded through 索隐式阅读 / Suo Yin Reading and Interpretation And Overinterpretation.

167.命若朝霜：为什么红楼梦不需要悼明？ adds the show’s 《红楼梦》 legal-history branch through 《命若朝霜》. It connects anti-悼明 argument, 林黛玉’s inheritance, Bao-Dai legal risk, 贾母’s protection, 龄官 and the actresses’ 贱籍身份, and 抄家籍没 to 红楼法律阅读 / Red Chamber Legal Reading, 清代性别法律秩序 / Qing Gender Legal Order, and Classic Reading Complexity.

182.抓一把风洗洗脸，滚到泥巴里去写诗！｜ 和树才聊童诗 adds the show’s children’s-poetry and language-education branch through 树才. It connects spontaneous child language, modern Chinese poetry, poetry as play, parent-child understanding, screen-time attention, foreign language learning, dialect, and mother tongue to Child Poetic Expression, Poetry Education As Play, Modern Poetry For Children, Poetry As Emotional Release, and Mother Tongue Awareness, while extending the show’s existing childhood-reading and anti-authoritarian education concerns.

181.讨好并非你的性格，坚持这么久，辛苦了 adds the show’s trauma-response and practical-psychology branch through 《讨好反应》 / Fawning. It connects 秦总’s personal family and school examples with Ingrid Clayton, Pete Walker, Fawn Response, 4F Trauma Response, Complex Trauma Recognition, Traumatic Attachment, and Unfawning Boundary Practice, while extending the show’s earlier attention to education pressure, self-possession, and action against anxiety into body-level survival responses.

180.爱丽丝梦游仙境：世界多荒诞，我也是自己的主宰（下） completes the show’s 《爱丽丝梦游仙境》 two-part branch. It adds the Mad Hatter / 疯帽匠, March Hare / 三月兔, Dormouse / 睡鼠, Queen of Hearts / 红心王后, Mock Turtle / 假海龟, and Gryphon / 鹰头狮, while extending Cheshire Cat / 柴郡猫, Alice / 爱丽丝, Nonsense Logic, Wonderland Language Games, Dream Logic Narrative, and Rule-Shifting Mathematics into Time-Stasis System, Arbitrary Authority Procedure, and Otherworld Portal Narrative.

179.爱丽丝梦游仙境：世界多荒诞，我也是自己的主宰（上） adds the show’s 《爱丽丝梦游仙境》 branch through Lewis Carroll / 刘易斯·卡罗尔, Alice Liddell / 爱丽丝·利德尔, Alice / 爱丽丝, the White Rabbit / 白兔, the Cheshire Cat / 柴郡猫, and the Blue Caterpillar / 蓝色毛毛虫. It connects the book’s puns, dream jumps, body changes, mathematical rule shifts, and anti-didactic children’s-literature position to Nonsense Logic, Wonderland Language Games, Dream Logic Narrative, Size Change Identity, Rule-Shifting Mathematics, Victorian Anti-Didactic Children’s Literature, and Feedback Regulation As Self-Adjustment, while handling Carroll biography through Literary Gossip As Context rather than settled accusation.

178.母权论：伟大的错误or深刻的洞见？母权社会存在过吗？ adds the show’s mother-right, kinship, and gendered-power branch through Johann Jakob Bachofen’s 《母权论》 / Mother Right. It connects Matriarchy Question, Kinship Power Distinction, Myth As Historical Evidence, Mother Goddess Evidence Leap, Female Civilizing Power, Gender Power And Uncertainty Cost, and Monogamy As Stability Structure while keeping the episode’s core caution clear: matriliny, matrilocal residence, goddess symbolism, and female political power are not interchangeable.

177.小时候的书，怎么就那么好看！ adds the show’s childhood-reading and children’s-literature memory branch. It connects 郑渊洁, magazines, comics, girl-centered fiction, science adventure, 《海尔兄弟》, Carl Sagan, and early internet writing to Childhood Reading Ecology, Children’s Literature Complexity, Childhood Science Reading, Science Optimism And Pseudoscience, Creative Risk-Avoidance Culture, Reading As Life Experience, and Non-Instrumental Literary Reading. Its source-scoped argument is that messy childhood reading can train attention, agency, gender confidence, and skepticism before a reader has any tidy framework.

176.为什么越是吃肉，越要关注动物福利？ adds the show’s food-animal welfare and pork-industry branch through 猪哥 / 猪场严选. It connects meat eating, animal suffering, slaughter methods, livestock-worker moral injury, product labeling, pork and egg consumer misconceptions, and practical consumer feedback to Food Animal Welfare, Livestock Worker Moral Injury, Slaughter Welfare, Animal Welfare Product Labeling, Livestock Care Economics, Animal Welfare As Public Health, and Empathy Circle Expansion.

175.女性卫生用品的社会史：比想象中更精彩！ adds the show’s gendered material-history branch through 《女性卫生用品的社会史》. It connects Menstrual Stigma, Gendered Medicalization, Commercial Menstrual Education, Menstrual Public Infrastructure, Period Poverty, Toxic Shock Syndrome Risk, 安妮卫生巾, 板井太子, 尤妮佳 / Unicharm, Kotex / 高洁丝, and 恒安集团 into a source-scoped argument that sanitary products are public bodily infrastructure, not only private consumer goods.

174.读笛卡尔，是件大事 adds the show’s direct early-modern philosophy and method branch through Rene Descartes / 笛卡尔 and 《谈谈方法》. It connects biography, Galileo’s trial, Princess Elisabeth’s objections, Queen Christina’s invitation, Methodic Doubt, 我思故我在, Cartesian Dualism, Rationalist Method, Mind-Body Union, Substance And Extension, and Computing Versus Thinking into a source-scoped argument that doubt can be a practical tool for preserving thinking and judgment under noisy authority, including AI-era authority.

173.弹劾：如何罢免一位总统 adds the show’s U.S. constitutional-design branch. Using Cass Sunstein’s 《弹劾》, the episode turns a current-events topic into a system-design discussion of Presidential Impeachment, Presidential System, Parliamentary System, Separation Of Powers, High Crimes And Misdemeanors, the Twenty-Fifth Amendment, and Constitutional Robustness.

172.好运是什么？为啥说总避雷会败好运？ adds the show’s luck, attention, and practical risk-design branch. Starting from 《好运》, Richard Wiseman’s luck research, “避雷” culture, publishing work, football, and Go, it connects Luck As Information Bandwidth, Information Entropy As Opportunity, Availability Heuristic, Low-Cost Experimentation, Weak-Tie Opportunity, Positive Expectation Training, and Barbell Strategy into a source-scoped argument that good luck often depends on staying open to information while avoiding ruin.

sp.02 我有自己的宇宙：如何在混沌中做个清醒的行动派 adds the show’s practical psychology and life-design branch through 钱静 and 《我有自己的宇宙》. It connects listener questions about exam failure, civil-service pressure, boss conflict, original-family entanglement, and economic anxiety to Zhongyong Self, Internet Risk-Avoidance Trap, Objective Self-Ownership, Action Against Anxiety, Adult Independence From Family, and Macro Narrative Anxiety.

108.祖与占：爱与不爱，巴黎就在那里（耸肩） adds the show’s French New Wave and morally difficult film-reading branch through 《祖与占》 / Jules and Jim, Francois Truffaut / 特吕弗, and Henri-Pierre Roche / 亨利-皮埃尔·罗什. It connects the 2024 Paris Olympic opening-ceremony controversy, Truffaut’s auteur adaptation, Roche’s autobiographical prose, and the relationship among Catherine, Jules, and Jim to French New Wave / 法国新浪潮, Moral Suspension In Art Reading, Triangle Intimacy Ethics, Gendered Freedom Against Order, and War And Intimacy Breakdown.

74.全球上瘾：啊，咖啡！我黑色的阿波罗！ adds the show’s coffee material-history branch through 《全球上瘾》 and coffee / 咖啡. It connects Arab/Ottoman coffee controversy, European adoption legends, Paris coffeehouses, French monopoly politics, factory and military coffee use, speculation, and Brazilian overproduction to Material History Narrative, Caffeinated Modernity, Coffeehouse Public Sphere, Coffee Commodity Politics, and Commodity Price Exposure.

73.虚境奇谭：恐怖+幽默=最好的克苏鲁 adds the show’s weird-fiction and Cthulhu branch through Clark Ashton Smith / C.A.史密斯 and 《虚境奇谭》. It connects H. P. Lovecraft / 洛夫克拉夫特, August Derleth / 阿古斯特·德雷斯, Weird Tales / 诡丽幻谭, 萨托古雅, 伊波恩, 《深谷住民》, 《七咒赋》, 《通往土星之门》, and 《前往斯法诺莫埃的旅途》 to Cthulhu Mythos / 克苏鲁神话, Cosmic Horror, Weird Fiction, Open Shared Mythos, Clark Ashton Smith Story Worlds, Horror-Humor Weird Fiction, and Anti-Anthropocentric Satire.

72.君主论：读它是一场危险的冒险 adds the show’s Machiavelli and political-realism branch through 《君主论》 / The Prince and Niccolo Machiavelli / 马基雅维利. It connects Renaissance Florence, the Florentine Republic / 佛罗伦萨共和国, the House of Medici / 美第奇家族, Savonarola, Cesare Borgia / 凯撒·波吉亚, and Legalist comparison figures Han Fei / 韩非 and Shang Yang / 商鞅 to Machiavellian Realism, Non-Moral Political Analysis, Virtù And Fortuna Political Agency, Cruelty Used Well, Legalist-Machiavelli Comparison, and Good Intentions Political Limits.

71.美妆帝国蝴蝶牌：言情小说家的国货创业往事 adds the show’s Republican-era consumer-industry branch through 陈迭仙, 林玉沁, 蝴蝶牌, 家庭工业社, and 《女子世界》. It connects popular fiction, household chemistry, cosmetics recipes, advertising, trademark control, wartime factory migration, and National Goods Branding to Vernacular Industrialism, giving the show’s literature/history mode a concrete light-industrial modernization case.

147. 非洲神话：腋毛创世, 土狼下蛋及哪吒的另一版本 adds the show’s sub-Saharan mythology and oral-folklore branch through African Mythology. It connects Mawu-Lisa, Obatala, the Mwindo epic, Anansi, African Oral Literature, and Trickster Ambivalence to the show’s existing interest in myth variants, story-based understanding, and old tales that do not reduce to clean morals.

136. 春日明媚，聊聊鬼神 adds the show’s direct Chinese folk-religion branch through spring, Qingming, ancestor ritual, and ghost-and-deity stories. It connects 丰都大帝, 东岳大帝, 阎罗王, 十殿阎罗, 城隍, 土地, 孟婆, 钟馗, 《西游记》, and 《聊斋志异》 to Chinese Folk Religion Layering, Underworld Bureaucracy, Afterlife Moral Accounting, and Local Deity Governance.

43.西游记：咄！你是什么妖精！ adds the show’s Chinese-classics, mythology, and folklore-source branch through 《西游记》. It connects authorship debates around 吴承恩, 丘处机, and 杨慎 with 玄奘, 孙悟空, 猪八戒, 沙和尚, 哈努曼, 无支祁, 迦楼罗 / 大鹏鸟, 《西游妖物志》, Accretive Text Formation, Mythic Source Layering, and 索隐式阅读 / Suo Yin Reading.

42.安多：风起于青萍之末 adds the show’s television, science-fiction, and political-resistance branch through 《安多》 / Andor. It connects Star Wars, 《侠盗一号》 / Rogue One, Tony Gilroy, Cassian Andor, Galactic Empire, Rebel Alliance, Mon Mothma, Luthen Rael, Saw Gerrera, Syril Karn, Kino Loy, Maarva Andor, Ferrix, Aldhani, and Narkina Five to False Choice Governance, Institutional Overcompliance, Manufactured Prisoner Dilemma, Carceral Labor Governance, Ordinary People Resistance, Sacrificing Others Ethics, and Anti-Heroic Resistance Narrative.

41.施剑翘复仇案：超越哈贝马斯的情与法 adds the show’s Republican-era law, media, and public-opinion branch through the Shi Jianqiao Revenge Case. It connects Shi Jianqiao / 施剑翘, Sun Chuanfang / 孙传芳, Shi Congbin / 施从斌, Feng Yuxiang / 冯玉祥, Chiang Kai-shek / 蒋介石, and Jürgen Habermas / 哈贝马斯 to Sensational Media Public Sphere, Private Revenge And Modern Law, Filial Revenge Public Sympathy, Judicial Independence And Public Opinion, Pardon As State Power, and Gendered Nationalist Heroism.

40.平面国：禁止染色/女人危险/向上不是向北！ adds the show’s mathematical science-fiction and dimensional-satire branch through 《平面国》 / Flatland, Edwin A. Abbott / 爱德温·爱伯特, and translator 菲比. It connects shape-coded gender and class, color as a threat to visual status order, higher-dimensional revelation, theological humility, and publishing friction to Dimensional Allegory, Geometric Social Hierarchy, Color As Identity Disruption, and Reading As Dimensional Expansion.

39.哲学家与狼：在朗格多克永恒的夏天 adds the show’s animal-philosophy and mortality branch through 《哲学家与狼》 / The Philosopher and the Wolf, Mark Rowlands / 马克·罗兰兹, and 布列宁. It connects wolf/dog/human intelligence, laboratory cruelty, abuse, Hobbesian contract, loyalty, vegetarian compromise, companion illness, euthanasia, burial, and the final 朗格多克 summer to Animal Intelligence Modes, Civilization As Deception, Evil As Responsibility Failure, Loyalty Beyond Contract, and Present Moment Against Death.

假期摸鱼更健康 adds the show’s explicit holiday-rest and method-statement branch. Instead of reviewing one book, it frames a “摸鱼天窗” as Restorative Creative Pacing and explains the show’s preference for Story-Based Empathy: stories and literature can help listeners inhabit unfamiliar lives more effectively than abstract doctrine alone. It also previews possible future branches around 《盛世的崩塌》, 《绿色星球》, 罗杰·泽拉兹尼, and 《身份政治》.

65.龙王之怒：1931年的长江洪水 adds the show’s disaster-history and environmental-history branch through 《龙王之怒：1931年长江水灾》. It connects Wuhan / 武汉, Hankou / 汉口, 长江, 汉江, 云梦泽, flood-control politics, famine, disease, war, Dragon King belief, and relief institutions to Natural Hazard As Social Disaster, Wetland Adaptation, Flood Control Risk Transfer, Modern Urban Disaster Risk, Famine Entitlement Failure, War-Disaster Compounding, Folk Religion Disaster Politics, Disaster Relief Mismatch, and Disaster Sensory History.

蜜獾吃书 is the podcast/show context for 63.我的30+下半程，答案若隐若现, 62.克拉克森的农场：想不到你是这样的小羊肖恩, 61.自从拥有经济学的思维方式，人生都变简单了！, 60.闲聊伟大作家们的八卦（第一弹）, 日谈串台｜姐妹聊天会：重启人生也是我最妖娇, 03.莱博维茨的赞歌：要有光，哪怕废土之上, 44.运气的诱饵：赌博成瘾，因为我们害怕自由, 45.机器人大师：多希望莱姆能评价一下ChatGPT啊！, 46.这世界唯一的你：请相信那朵慢慢绽放的花, 47.鸟有什么好看的：原来…丹顶鹤是秃的！, 48.开市大吉：第一流的幽默讽刺, 49.李乌鸦来了！聊聊我们为啥爱阅读, 50.开膛手杰克结案报告：女法医的争议之作, 51.厌世？反人类？童话故事？…格列佛游记可深了去了, 52.好爱高木直子！献给正在打拼的你, 53.玫瑰的名字（上）：真与假，正与邪，诠释与过度诠释, 55.安徒生童话：海的女儿和不灭的灵魂, 56.伴生：世界破破烂烂，小动物缝缝补补, 57.说解汉字：屎尿屁为啥是“尸”字头？, 更新时间变动通知, 58.儒林外史：假如考公成了唯一出路, 154.我的名字叫红：用一千零一夜的心跳完成这场谋杀(下）, 156.一个阿富汗女人的来信: 纸上的光，和出版背后的故事, 157.吹牛大王历险记：叔本华、扒马褂和超级英雄, 158.全员名侦探：推理薯片来一包！, 【脱口秀的小佳】蜉蝣直上：可能会飞，迎着天光, 159.要精明，要善良，要解决问题, and 160.优秀的绵羊：请把说“不”的权利还给我. In the restart-life source, 秦总 introduces herself as a host of the show and joins Hookie and 殷姐 for a 日谈 crossover Women’s Day conversation.

64.霸王别姬：疯魔与成活 adds the show’s film-close-reading branch through 《霸王别姬》. It connects 芦苇, 陈凯歌, and 《封神》 to Role-Life Collapse, Troupe Discipline As Identity Formation, Gender Performance And Trauma, Art Dignity Under Political Pressure, Coerced Denunciation, and Adaptation Ending Ethics.

63.我的30+下半程，答案若隐若现 adds the show’s female-midlife and life-design branch. The episode connects 角田光代’s 《37》, late-30s age reflection, marriage pressure, career disillusionment, Information Gap Anxiety, and Empathy As Aesthetic Capacity to Gendered Age Anxiety, Midlife As Gift, Female Self-Possession, and Reading As Life Experience.

62.克拉克森的农场：想不到你是这样的小羊肖恩 adds the show’s farming and environmental-tradeoff branch through 《克拉克森的农场》 / Clarkson’s Farm and Jeremy Clarkson. It connects machinery failure, livestock chaos, bees, crop policy, woodland management, flooding, and garden birdwatching to Agricultural Systems Reality, Livestock Care Economics, Environmental Tradeoff Accounting, Birdwatching As Attention, and Citizen Science.

61.自从拥有经济学的思维方式，人生都变简单了！ adds the show’s economics-for-ordinary-readers branch through 《经济学的思维方式》 / The Economic Way of Thinking. It connects 梁杰, Paul Heyne / 保罗·海恩, Adam Smith / 亚当·斯密, and Friedrich Hayek / 哈耶克 to Economic Way Of Thinking, Cost-Benefit Thinking, Opportunity Cost, Marginal Analysis, Market Coordination, Dispersed Information Problem, Comparative Advantage, and Subjective Value.

The episode moves the show into the wiki’s life-design branch. Rather than reviewing a book directly, it uses 《重启人生》 as a shared cultural frame for talking about life restarts, professional choice, pet loss, mother-daughter grief, and Female Self-Possession.

03.莱博维茨的赞歌：要有光，哪怕废土之上 adds the show’s science-fiction, religion, and civilization branch through 《莱博维茨的赞歌》 / A Canticle for Leibowitz. It connects Walter M. Miller Jr., 卡西诺修道院, 《启示录》, Post-Apocalyptic Civilization Preservation, Science-Religion Civilization Tension, Civilizational Self-Destruction Cycle, Pain And Moral Responsibility, Apocalyptic Literary Symbolism, and Great Filter.

44.运气的诱饵：赌博成瘾，因为我们害怕自由 adds the show’s direct book-discussion mode through 《运气的诱饵》. It connects gambling anthropology to Machine Gambling Addiction, Machine Zone, Private Actuarialism, and broader Addictive Interaction Design in digital products.

45.机器人大师：多希望莱姆能评价一下ChatGPT啊！ adds a Lem and AI-satire branch through 斯坦尼斯拉夫·莱姆 and 《机器人大师》. It connects ChatGPT-era machine anxiety to Cybernetic Machine Satire, Truth Against Absurd Power, Machine Creativity Threat, Information Overload Knowledge Trap, and Science Fiction Realism.

46.这世界唯一的你：请相信那朵慢慢绽放的花 adds the show’s autism and caregiving branch through 《这世界唯一的你》 / Uniquely Human. It connects 秦总’s tutoring memory to Autism As Human Difference, Behavior As Communication, Autism Safe Environment Design, Autism Family Support, and Autism Cure-Scam Risk.

47.鸟有什么好看的：原来…丹顶鹤是秃的！ adds the show’s natural-science reading branch through 《鸟有什么好看的》. It connects humorous book discussion to 川上和人, Birdwatching As Attention, Ornithological Fieldwork, Scientific Sampling Discipline, Island Ecological Succession, Invasive Species Management, and Observation Before Inference.

48.开市大吉：第一流的幽默讽刺 adds the show’s modern Chinese literature and social-satire branch through 老舍 and 《开市大吉》. It connects humorous reading to Lao She Satirical Humanism, Civic Audience Etiquette, Medical Scam Packaging, Birth Ritual Medical Conflict, and Renqing Order.

49.李乌鸦来了！聊聊我们为啥爱阅读 adds the show’s meta-reading branch with 李乌鸦. Instead of discussing one book, it connects reading shame, forgetting, original-text texture, childhood access, classics, and fiction’s experiential value to Reading As Life Experience, Classic Reading Complexity, Family Reading Ecology, and Non-Instrumental Literary Reading.

50.开膛手杰克结案报告：女法医的争议之作 adds the show’s true-crime and social-history branch through 《开膛手杰克结案报告》. It connects Patricia Cornwell’s disputed accusation against Walter Sickert to Contested Forensic Attribution, then shifts from suspect-hunting toward Victim Stigma In True Crime, Victorian Women Precarity, and Modern Criminal Investigation Formation.

51.厌世？反人类？童话故事？…格列佛游记可深了去了 adds the show’s English political-satire branch through Jonathan Swift and 《格列佛游记》 / Gulliver’s Travels. It connects a childhood-classic rereading to Scale Reversal Satire, Technocratic Domination Satire, Pure Rationality Trap, Fixed Human Nature Politics, and Author-Character Separation, while bringing in Laputa / 飞岛国, 慧骃, George Orwell / 乔治·奥威尔, Harold Bloom / 哈罗德·布鲁姆, 洪涛, Thomas Hobbes / 托马斯·霍布斯, and Niccolo Machiavelli / 马基雅维利.

52.好爱高木直子！献给正在打拼的你 adds the show’s Japanese everyday-comics branch through 高木直子. It connects Tokyo drift, part-time work, low money, food, family, travel, and local festivals to Everyday Autobiographical Comics, Ordinary Hardship Narrative, Reading As Life Experience, and Career Self-Rescue, with 秦总 using her own overseas work and housing memories as a parallel.

53.玫瑰的名字（上）：真与假，正与邪，诠释与过度诠释 adds the show’s Eco, semiotics, and medieval mystery branch through 翁贝托·艾柯’s 《玫瑰的名字》. It connects 巴斯克维尔的威廉, 阿德索, and 豪尔赫 to Semiotic Detective Fiction, Interpretation And Overinterpretation, Knowledge Monopoly, Laughter Against Authority, and Apocalyptic Literary Symbolism.

54.玫瑰的名字（下）：真与假，正与邪，诠释与过度诠释 completes that branch by resolving the poisoned-book plot, the false Revelation pattern, Jorge’s hidden control of the monastery, and the political trial around 贝尔纳. It connects the show to 亚里士多德《诗学》第二卷, Anti-Detective Fiction, Conspiracy Theory Pattern Seeking, Rational Humility, Political Show Trial, and 阿维尼翁教廷.

55.安徒生童话：海的女儿和不灭的灵魂 adds the show’s Andersen and fairy-tale branch through 安徒生 and 《海的女儿》. It connects adult rereading, childhood sadness, satire, death, translation, Disney adaptation debate, and spiritual aspiration to Adult Fairy-Tale Reading, Fairy-Tale Death And Spirituality, and Adaptation Original-Text Confusion.

56.伴生：世界破破烂烂，小动物缝缝补补 adds the show’s animal-welfare, trauma, and public-health branch through 《伴生》 / Our Symphony with Animals and Aysha Akhtar / 阿依莎·阿赫塔. It connects companion animals, health, disaster evacuation, domestic-violence shelters, child therapy, PTSD, animal cruelty, and empathy expansion to Animal Welfare As Public Health, Companion Animal Health, Animal-Assisted Therapy, Pet-Inclusive Disaster Response, Domestic Violence Pet Coercion, Animal Abuse Violence Link, and Empathy Circle Expansion.

57.说解汉字：屎尿屁为啥是“尸”字头？ adds the show’s Chinese-character and language-history branch through 《说解汉字150讲》, 《甲骨文的故事》, and 《说文解字》. It connects the show to Chinese Character Evidence Discipline, Character Form Evolution, Folk Character Etymology Risk, Hanzi Transdialectal Function, and Script As Social History by showing why character interpretation should follow historical forms rather than modern folk拆字.

更新时间变动通知 adds a show-operations branch through Podcast Release Cadence. It records a brief update that the show would move from Wednesday morning releases to Saturday at 10 p.m., framing release time as audience expectation, competitive positioning, and production slack rather than literary interpretation.

59.克里特岛：阳光、海龟、神话和二战战场 adds a travel-history and island-ecology branch through Crete. It connects Greek Mythology, Minoan Civilization, Knossos Palace, the Battle of Crete, sea-turtle protection, and Island Extinction After Human Arrival, showing the show using travel experience to braid myth, archaeology, war memory, and natural history.

60.闲聊伟大作家们的八卦（第一弹） adds the show’s literary-biography and author-image branch. It uses Literary Gossip As Context and Author Myth Deflation to connect 王尔德, 惠特曼, 柯南道尔, 托尔斯泰, 梭罗, 奥尔科特, 伍尔夫, 叶芝, and 托尔金, while Occult And Pseudoscience In Literary Modernity captures the episode’s phrenology, spiritualism, fairy-photograph, astrology, and occult-society thread.

82.闲聊伟大作家的八卦（第二弹） adds the second great-writer gossip installment. It extends the author-image branch through Lord Byron / 拜伦, Honore de Balzac / 巴尔扎克, Edgar Allan Poe / 爱伦·坡, Agatha Christie / 阿加莎·克里斯蒂, and Jack London / 杰克·伦敦, while adding adjacent figures Ada Lovelace / 艾达·洛夫莱斯, Mary Shelley / 玛丽·雪莱, John Polidori / 约翰·波利多里, and Sainte-Beuve / 圣伯夫.

107.闲聊伟大导演们的八卦（第一弹） adds the show’s film-director gossip branch. It moves the episode 60 method from writers to directors, connecting 卓别林, 希区柯克, Walt Disney, 莱妮·里芬斯塔尔, 艾丽斯·盖-布兰奇, 洛伊斯·韦伯, 多罗西·阿兹娜, and 艾达·卢皮诺 to Film Gossip As Context, Director Myth Deflation, Film Set Power And Abuse, Artistic Achievement Moral Accountability, Propaganda Aesthetics, and Early Women Film Pioneers.

58.儒林外史：假如考公成了唯一出路 adds the show’s classical Chinese satire branch through 《儒林外史》 and 吴敬梓. It connects 范进, 周进, 杜少卿, 王冕, Imperial Examination As Only Exit, 婉而多讽, and Satirical Group Portrait to the show’s broader interest in how literature exposes durable social mechanisms.

153.我的名字叫红：用一千零一夜的心跳完成这场谋杀(上） and 154.我的名字叫红：用一千零一夜的心跳完成这场谋杀(下） add the show’s Turkish-literature and art-history branch through 奥尔罕·帕慕克 and 《我的名字叫红》. Together they connect Istanbul / 伊斯坦布尔, Borderland Cultural Identity, Persian Miniature Painting, Ottoman Miniature Painting, Sufi Image Legitimacy, Divine Perspective Aesthetics, Frankish Portraiture Pressure, Miniature Style-Signature Tension, Blindness-Memory Art Ideal, Multi-Perspective Murder Narration, Story-Within-Story Narration, and Secular Happiness Against Ideology.

156.一个阿富汗女人的来信: 纸上的光，和出版背后的故事 adds the show’s Afghanistan, women’s-writing, and publishing-process branch through 哈迪亚·海达里’s 《一个阿富汗女人的来信》 and 安琪 of 有光. It connects literary testimony to Afghan Women First-Person Writing, Protection As Control, War Gendered Civilian Harm, Literary Publishing As Material Support, Translation Publishing Workflow, and Editor As Cultural Project Manager.

184.真实于我有万钧之重：欢迎侠女阿娇 adds the show’s illness-writing, hospice, and rescue-solidarity branch through 阿娇 / 柱子哥, 《我还想看见》, and the 哈迪亚营救事件. It connects overseas work, cancer, death-facing conversation, and public care to Public Illness Writing, Whole-Process Cancer Documentation, 安宁疗护 / Hospice Care, Professional Dignity Beyond Patient Identity, Meaning Through Experience, Overseas Identity Reset, and Unprotected Overseas Work.

157.吹牛大王历险记：叔本华、扒马褂和超级英雄 adds the show’s tall-tale, fantasy, and philosophy branch through 《吹牛大王历险记》. It connects 敏锡豪森男爵, Rudolf Erich Raspe, 《扒马褂》, Tall-Tale Tradition, Absurd Rationality, Munchausen Self-Bootstrapping, Adult Satire In Children’s Classics, and Superhero Tall-Tale Continuity.

158.全员名侦探：推理薯片来一包！ adds the show’s puzzle-mystery branch through 《全员嫌疑人》 and 《全员名侦探》. It connects light detective fiction to 推理薯片, 华生力, 暴风雪山庄, and the idea that puzzle construction can be a real literary pleasure without needing to become serious realism.

【脱口秀的小佳】蜉蝣直上：可能会飞，迎着天光 adds the show’s contemporary nonfiction and creator-psychology branch through 小佳 and 《蜉蝣直上》. It connects stand-up, prose authorship, Minnan family memory, funeral custom, complex women, book sales, public reviews, and stepping back from televised competition to Stand-Up As Self-Narration, Minnan Family Writing, and Creator Evaluation Pressure.

159.要精明，要善良，要解决问题 adds the show’s insurance-nonfiction branch through 《事已至此，走保险》 and 阿健. It connects claims stories to Insurance Claims Handling, Insurance Claims Information Asymmetry, Insurance Claims Assistance Platforms, Discretionary Insurance Payment, Insurance Complaint Pressure, Insurance Claims Scalping, Catastrophe Insurance Claims, and Child Third-Party Liability Insurance.

160.优秀的绵羊：请把说“不”的权利还给我 adds the show’s education-pressure and youth-agency branch through 《优秀的绵羊》 / Excellent Sheep and 《马蒂尔达》. It connects elite-student anxiety, Chinese family education pressure, U.S. admissions history, literature as emotional education, and the right to say no to Anti-Authoritarian Education, Red Pen Logic, Achievement Pressure Mental Health, Ivy League Meritocracy, and Helicopter Parenting.

Connections

• sp.01 宇宙：卡尔·萨根的星辰大海和人类梦想, Carl Sagan, 《宇宙》 / Cosmos, 《接触》 / Contact, SETI / Search for Extraterrestrial Intelligence, and Humanistic Science Communication - early Sagan, public-science, and science-fiction branch.
• 143.遗忘的脑力：记性不好可咋整啊？, 《遗忘的脑力》, Forgetting As Cognitive Function / 遗忘作为认知功能, Memory Consolidation Windows / 记忆巩固窗口, Painful Memory Rehearsal Risk / 痛苦记忆反复咀嚼风险, and Focused-Diffuse Thinking Balance / 专注与发散思维均衡 - memory, forgetting, learning window, painful-memory, and attention-balance branch.
• 161.攥着文凭失业，我怎么爬出这个陷阱, 《污名陷阱》, Highly Educated Unemployment / 高学历失业, and Unemployment Stigma / 失业污名 - episode 161’s employment-stigma and job-search branch.
• 140. 还可以的金女士：“所以人为什么要努力啊？！”, 金子, 《还可以的金女士》, 小镇做题家规训, and 努力叙事追问 - episode 140’s memoir, education-pressure, gendered self-surveillance, and effort-questioning branch.
• 139. 为什么伟大不能被计划：有志者事竟成，吗？, 《为什么伟大不能被计划》, Objective Deception, Novelty Search, Stepping-Stone Exploration, and Campbell’s Law - goals, exploration, metric caution, and reading-as-novelty branch.
• 124. 恺撒之死：历史的韵脚，是否已失效？, Julius Caesar / 尤利乌斯·恺撒, Roman Republic / 罗马共和国, Assassination of Julius Caesar / 恺撒遇刺, Late Roman Republic Crisis / 罗马共和国晚期危机, and Republican Memory Against Dictatorship / 反独裁的共和记忆 - Roman republican crisis, assassination, imperial transition, and classical memory branch added by episode 124.
• 120.蓝狐岛：伟大事业中的雄心与现实, Vitus Bering / 维图斯·白令, Peter the Great / 彼得大帝, Great Northern Expedition / 大北方探险, Bering Island / 白令岛, Russian North Pacific Expansion, and Exploration To Extraction Pipeline - Russian exploration, North Pacific route-making, island survival, and ecology/extraction branch added by episode 120.
• 101.曹寅与康熙：红楼梦醒终有时, 《曹寅与康熙》, 曹寅, and 红楼家族史回声 / Red Chamber Family History Echo - Red Chamber family-history and Qing institutional branch.
• 02.离婚：郭德纲都不如老舍有意思, 《离婚》, 老李, 张大哥, Controlled Humor With Pain, and Ordinary Escape Courage - Lao She full-novel, controlled humor, and ordinary escape branch.
• 01.麦田守望者：20世纪的美国贾宝玉, 《麦田里的守望者》, J. D. Salinger / 塞林格, Holden Caulfield / 霍尔顿, American Jia Baoyu Comparison, Adolescent Alienation Recognition, and Literary Subculture Symbolization - Salinger, Holden, American Jia Baoyu, adolescent recognition, and youth-culture afterlife branch.
• 98.自卑与超越：向前看，前方有希望, Alfred Adler / 阿尔弗雷德·阿德勒, 《自卑与超越》, Individual Psychology, Adlerian Teleology, Inferiority-Superiority Dynamic, and Community Feeling - Adlerian psychology, inferiority, purpose, contribution feeling, and courage branch.
• 89.剑桥夜攀者：让我们庄严地上房揭瓦, 《剑桥夜攀者》 / The Night Climbers of Cambridge, Campus Night Climbing, Campus Prank Ethics, and Roofscape Attention - Cambridge night-climbing, campus prank, and architectural-attention branch.
• 91.猎巫：塞勒姆1692，从癔症开始, Salem Witch Trials / 塞勒姆猎巫, Witch-Hunt Mechanism / 猎巫机制, and Spectral Evidence / 幽灵证据 - Salem witch-hunt, evidence failure, and modern accusation branch.
• 95.都市传说：猎奇故事和我们内心深处的焦虑, Urban Legend / 都市传说, Story Motif Transmission, and Conspiracy Theory Pattern Seeking - urban legend, rumor-anxiety, and modern folklore branch.
• 69.闲聊推理文学：历史学者可不就是侦探吗！, 张志浩, 《时间的女儿》, Historical Detective Reasoning, and Personal Archive As History - detective-fiction, historical-method, and personal-archive branch.
• 67.美狄亚：古希腊秦香莲的复仇及其现代性, Euripides / 欧里比德斯, 《美狄亚》 / Medea, Medea / 美狄亚, Greek Tragedy, and Tragic Modernity - Greek tragedy, female revenge, and Euripidean modernity branch.
• 66.鱼翅与花椒：聊吃的我可就不困了, 胡霞 / Fuchsia Dunlop, 《鱼翅与花椒》, 川菜, Culinary Grammar, and Food Cultural Bias - food-writing, Sichuan cuisine, and cross-cultural culinary-bias branch.
• 137. 三更半夜居然要吃香蕉：是的，再来一根, 《三更半夜居然要吃香蕉》, 鹿野靖明, Disability Independent Living, Subject-Led Care, and Volunteer Care Reciprocity - disability independent-living and care-agency branch.
• 138.企鹅课：我在海滩上捡到一位Q老师, 《企鹅课》 / The Penguin Lessons, Tom Michell / 汤姆·米切尔, Juan Salvador / 胡安·萨尔瓦多, Wild-Animal Rescue Responsibility, and Oil-Pollution Wildlife Harm - penguin rescue, school companionship, and ecological externality branch.
• 111. 花衣魔笛手：快来，和历史学家一起推理童话真相, 花衣魔笛手, 阿布谨也, Legend As Social History, and Folklore Trauma Encoding - European folklore, medieval social history, and traumatic-memory branch.
• 110.初老的女人：疲惫，温柔，辽阔, 伊藤比吕美, 《初老的女人》, Embodied Aging, and Poetry As Life Problem Solving - late-life aging, women’s body, pet care, and poetry branch.
• 109.闲聊左传之春秋运动会！, 《左传》, Sports As Historical Reading Frame, and Spring-Autumn Warfare Ritual - pre-Qin classical-history, playful sports-frame, and ritualized-warfare branch.
• 131.“日常之谜”推理：是我未能说出口的真心, 日常推理, 说不出口的心事, 《玻璃长颈鹿》, and 《小市民》系列 - daily-life mystery branch around hidden feeling, trauma guilt, and dessert-clue play.
• 168.放学后的小巷：致青春，致那年的友谊【日常推理强势回归！！】, 《放学后的小巷》, 日常推理, and 体面保护式推理 - daily-life mystery, Chinese mystery publishing, youth friendship, and school-area memory branch.
• 150.吃菌！和阿错聊云南的鸡枞、松茸、见手青, 阿错, 《苍城》, Yunnan Wild Mushroom Culture, Wild Mushroom Food Safety, and Foraging Ethics - Yunnan fungi, food-safety, foraging, and place-based fiction branch.
• 185.魔鬼出没的世界：关于阴谋论、UFO与科学精神, Carl Sagan, 《魔鬼出没的世界》 / The Demon-Haunted World, Scientific Skepticism, and UFO Conspiracy Culture - Sagan, UFO, conspiracy, pseudoscience, and evidence-discipline branch.
• Alice’s Adventures in Wonderland / 爱丽丝梦游仙境, Lewis Carroll / 刘易斯·卡罗尔, Nonsense Logic, Wonderland Language Games, Time-Stasis System, and Arbitrary Authority Procedure - Alice branch added across episodes 179 and 180.
• 174.读笛卡尔，是件大事, Rene Descartes / 笛卡尔, Methodic Doubt, Cogito Ergo Sum / 我思故我在, and Computing Versus Thinking - Descartes, doubt, rationalist method, mind-body problem, and AI-era thought branch.
• 176.为什么越是吃肉，越要关注动物福利？, 猪哥 / 猪场严选, Food Animal Welfare, Slaughter Welfare, and Livestock Worker Moral Injury - food-animal welfare and livestock-worker branch.
• 172.好运是什么？为啥说总避雷会败好运？, Luck As Information Bandwidth, Low-Cost Experimentation, and Weak-Tie Opportunity - luck, “避雷”, information bandwidth, and survivable experimentation branch.
• 74.全球上瘾：啊，咖啡！我黑色的阿波罗！, coffee / 咖啡, Material History Narrative, and Coffeehouse Public Sphere - coffee material-history and public-space branch added by episode 74.
• 108.祖与占：爱与不爱，巴黎就在那里（耸肩）, 《祖与占》, French New Wave / 法国新浪潮, and Moral Suspension In Art Reading - French New Wave, triangle-intimacy, and moral-reading branch added by episode 108.
• 73.虚境奇谭：恐怖+幽默=最好的克苏鲁, Clark Ashton Smith / C.A.史密斯, Cthulhu Mythos / 克苏鲁神话, and Horror-Humor Weird Fiction - weird-fiction, cosmic-horror, and horror-comedy branch added by episode 73.
• 41.施剑翘复仇案：超越哈贝马斯的情与法, Shi Jianqiao Revenge Case, and Sensational Media Public Sphere - Republican-era revenge, media, law, public opinion, and gendered nationalist heroism branch.
• 147. 非洲神话：腋毛创世, 土狼下蛋及哪吒的另一版本, African Mythology, Anansi, and Trickster Ambivalence - sub-Saharan mythology, oral-folklore, and trickster branch.
• 142. 凯尔特神话故事（第一弹）：德鲁伊会梦见变形羊吗？, Celtic Mythology, Celtic Animal Transformation, and Celtic Otherworld - Celtic mythology, druidic knowledge, reincarnation, and otherworld branch.
• 假期摸鱼更健康, Story-Based Empathy, and Restorative Creative Pacing - holiday interval, show method, and production-pacing branch.
• 《平面国》 / Flatland, Edwin A. Abbott / 爱德温·爱伯特, Dimensional Allegory, and Geometric Social Hierarchy - dimensional science-fiction, satire, gender, class, and humility branch added by episode 40.
• 39.哲学家与狼：在朗格多克永恒的夏天, 《哲学家与狼》, Mark Rowlands / 马克·罗兰兹, and 布列宁 - animal-philosophy, loyalty, evil, care, and mortality branch.
• 《龙王之怒：1931年长江水灾》, Wuhan / 武汉, Hankou / 汉口, Natural Hazard As Social Disaster, Flood Control Risk Transfer, and Disaster Relief Mismatch - disaster-history branch added by episode 65.
• 秦总 - host associated with the show in several sources.
• sp.02 我有自己的宇宙：如何在混沌中做个清醒的行动派, 钱静, Zhongyong Self, and Action Against Anxiety - practical psychology and life-design branch.
• 《霸王别姬》, 芦苇, 陈凯歌, Role-Life Collapse, and Coerced Denunciation - film, performance, and historical-pressure branch added by episode 64.
• 角田光代, 《37》, Gendered Age Anxiety, and Midlife As Gift - female-midlife and age-reflection branch added by episode 63.
• Information Gap Anxiety and Empathy As Aesthetic Capacity - comparison-pressure and empathy concepts added by episode 63.
• 《克拉克森的农场》 / Clarkson’s Farm, Jeremy Clarkson, Agricultural Systems Reality, and Environmental Tradeoff Accounting - farming and ecology tradeoff branch added by episode 62.
• 《经济学的思维方式》 / The Economic Way of Thinking, 梁杰, Paul Heyne / 保罗·海恩, Economic Way Of Thinking, and Opportunity Cost - economics-and-life-decision branch added by episode 61.
• 155.美貌能当饭吃吗?想赚钱该做点啥?拮据时应避免什么行为?经济学思维有什么用？, Everyday Behavioral Economics / 日常行为经济学, Marginal Income Scaling / 边际收入放大, and Beauty Economics / 美貌经济学 - applied behavior, earning, and beauty-economics branch added by episode 155.
• 《莱博维茨的赞歌》 / A Canticle for Leibowitz, Walter M. Miller Jr., Post-Apocalyptic Civilization Preservation, and Science-Religion Civilization Tension - science-fiction and civilization branch added by episode 03.
• 北民 - co-discussion voice in the machine-gambling episode.
• 日谈 - crossover partner in the episode.
• Hookie and 殷姐 - co-hosts in the conversation.
• Life Restart Thought Experiment, Regret Integration, and Female Self-Possession - main concepts added through this source.
• 《运气的诱饵》, Machine Gambling Addiction, and Addictive Interaction Design - book and concepts added by the gambling-addiction source.
• 斯坦尼斯拉夫·莱姆, 《机器人大师》 / The Cyberiad, Cybernetic Machine Satire, and Science Fiction Realism - Lem, machine satire, and AI-era reading branch added by episode 45.
• Roger Zelazny / 罗杰·泽拉兹尼, 《趁生命气息逗留》, New Wave Science Fiction / 科幻新浪潮, Robot-Human Boundary, and Embodied Personhood - Zelazny and mythic science-fiction branch added by sp.03.
• 《这世界唯一的你》 / Uniquely Human, Autism As Human Difference, and Behavior As Communication - book and concepts added by the autism-support source.
• 《鸟有什么好看的》, 川上和人, and Ornithological Fieldwork - book, author, and natural-science branch added by the bird-science source.
• 老舍, 《开市大吉》, and Lao She Satirical Humanism - literature, author, and satire branch added by the Lao She source.
• 李乌鸦, Reading As Life Experience, and Non-Instrumental Literary Reading - meta-reading branch added by the first-anniversary episode.
• 134.查令十字街84号：再次原谅世界的理由, 《查令十字街84号》, Epistolary Friendship / 书信友谊, and Bookstore Serendipity / 书店偶遇感 - old-book, letter-friendship, and bookstore-memory branch.
• sp.06 串台｜和李乌鸦＆超哥 high 聊：做读书博主的“守墓心得”, Book Creator Work, Bridge-Style Reading Content, and Book As Grave Memory Work - later meta-reading branch on making reading content.
• 《开膛手杰克结案报告》, Patricia Cornwell, Walter Sickert, and Jack the Ripper - true-crime branch added by the Jack the Ripper episode.
• Contested Forensic Attribution, Victim Stigma In True Crime, Victorian Women Precarity, and Modern Criminal Investigation Formation - evidence and social-history concepts added by the Jack the Ripper episode.
• 113.亨丽埃塔与那场将人类学送上审判席的谋杀案, Henrietta Schmerler / 亨丽埃塔·施梅勒, Anthropology Fieldwork Safety, and Cultural Relativism Victim Protection Boundary - anthropology fieldwork, victim-blaming, and cultural-relativism boundary branch added by episode 113.
• 35.天真的人类学家：做田野会上瘾的！, 《天真的人类学家》 / The Innocent Anthropologist, Nigel Barley / 奈杰尔·巴利, and Fieldwork Romance Deflation / 田野浪漫去魅 - anthropology fieldwork demystification, everyday friction, and development-ethics branch.
• 《格列佛游记》, Jonathan Swift / 乔纳森·斯威夫特, Laputa / 飞岛国, and 慧骃 - English political-satire branch added by episode 51.
• Scale Reversal Satire, Technocratic Domination Satire, Pure Rationality Trap, Fixed Human Nature Politics, and Author-Character Separation - interpretation and political-thought concepts added by the Swift episode.
• 《西游记》, 孙悟空, 猪八戒, 沙和尚, Accretive Text Formation, Mythic Source Layering, and 索隐式阅读 / Suo Yin Reading - Chinese-classic, monster-source, and cautious 索隐 branch added by episode 43.
• 高木直子, Everyday Autobiographical Comics, and Ordinary Hardship Narrative - Japanese everyday-comics and ordinary-hardship branch added by episode 52.
• 翁贝托·艾柯, 《玫瑰的名字》, Semiotic Detective Fiction, Interpretation And Overinterpretation, Knowledge Monopoly, Laughter Against Authority, and Anti-Detective Fiction - Eco and medieval mystery branch added by episodes 53 and 54.
• 安徒生, 《海的女儿》, Adult Fairy-Tale Reading, Fairy-Tale Death And Spirituality, and Adaptation Original-Text Confusion - Andersen and fairy-tale rereading branch added by episode 55.
• 《伴生》 / Our Symphony with Animals, Aysha Akhtar / 阿依莎·阿赫塔, Animal Welfare As Public Health, and Animal Abuse Violence Link - animal-welfare, health, empathy, and violence-prevention branch added by episode 56.
• 《说解汉字150讲》, 《甲骨文的故事》, 《说文解字》, and Chinese Character Evidence Discipline - Chinese-character evidence and language-history branch added by episode 57.
• Podcast Release Cadence - schedule and listener-expectation branch added by the update notice.
• Crete, Greek Mythology, Minoan Civilization, Knossos Palace, Battle of Crete, and Island Extinction After Human Arrival - travel, myth, archaeology, war-memory, and ecology branch added by episode 59.
• Literary Gossip As Context, Author Myth Deflation, and Occult And Pseudoscience In Literary Modernity - literary-biography and author-image branch added by episode 60.
• Oscar Wilde / 王尔德, Arthur Conan Doyle / 柯南道尔, Leo Tolstoy / 托尔斯泰, W. B. Yeats / 叶芝, and J.R.R. Tolkien / 托尔金 - representative great-writer cases added by episode 60.
• 82.闲聊伟大作家的八卦（第二弹）, Lord Byron / 拜伦, Honore de Balzac / 巴尔扎克, Edgar Allan Poe / 爱伦·坡, Agatha Christie / 阿加莎·克里斯蒂, and Jack London / 杰克·伦敦 - second great-writer gossip branch.
• Film Gossip As Context, Director Myth Deflation, Propaganda Aesthetics, and Early Women Film Pioneers - film-director and women-film-pioneer branch added by episode 107.
• Charlie Chaplin / 卓别林, Alfred Hitchcock / 希区柯克, Walt Disney, Leni Riefenstahl / 莱妮·里芬斯塔尔, Alice Guy-Blache / 艾丽斯·盖-布兰奇, Lois Weber / 洛伊斯·韦伯, Dorothy Arzner / 多罗西·阿兹娜, and Ida Lupino / 艾达·卢皮诺 - representative director cases added by episode 107.
• 《儒林外史》, 吴敬梓, 范进, 周进, 杜少卿, and 王冕 - classical satire and examination-society branch added by episode 58.
• Imperial Examination As Only Exit, 婉而多讽, and Satirical Group Portrait - institutional, stylistic, and structural concepts added by the 《儒林外史》 episode.
• 奥尔罕·帕慕克, 《我的名字叫红》, Istanbul / 伊斯坦布尔, Ottoman Miniature Painting, and Multi-Perspective Murder Narration - Turkish-literature and art-history branch added by the Pamuk episodes.
• 哈迪亚·海达里, 《一个阿富汗女人的来信》, 安琪, and 有光 - Afghanistan and publishing branch added by episode 156.
• 阿娇 / 柱子哥, 《我还想看见》, Public Illness Writing, and 安宁疗护 / Hospice Care - illness-writing, death-facing, and rescue-solidarity branch added by episode 184.
• 《吹牛大王历险记》, 敏锡豪森男爵, Tall-Tale Tradition, and Absurd Rationality - tall-tale and fantasy branch added by episode 157.
• 《全员嫌疑人》, 《全员名侦探》, 推理薯片, 华生力, and 暴风雪山庄 - puzzle-mystery branch added by episode 158.
• 小佳, 《蜉蝣直上》, Stand-Up As Self-Narration, Minnan Family Writing, and Creator Evaluation Pressure - contemporary nonfiction and creator-psychology branch added by the 小佳 episode.
• 《事已至此，走保险》, 阿健, Insurance Claims Handling, and Insurance Claims Information Asymmetry - insurance-claims nonfiction branch added by episode 159.
• 《优秀的绵羊》 / Excellent Sheep, William Deresiewicz, 《马蒂尔达》, Red Pen Logic, and Anti-Authoritarian Education - education-pressure and youth-agency branch added by episode 160.