entity Updated 2026-07-14 Topics: Culture

《玫瑰的名字》 / The Name of the Rose

《玫瑰的名字》 / The Name of the Rose is the 翁贝托·艾柯 / Umberto Eco novel introduced through the paired 蜜獾吃书 episodes 53.玫瑰的名字(上):真与假,正与邪,诠释与过度诠释 and 54.玫瑰的名字(下):真与假,正与邪,诠释与过度诠释. The first episode covers the setup: in 1327, 巴斯克维尔的威廉 / William of Baskerville and 阿德索 / Adso of Melk arrive at a wealthy, secretive monastery where Adelmo falls to his death, Venantius is found in a pig-blood vat, Berengar disappears, and the trail repeatedly points toward the forbidden library.

The episode reads the novel as Semiotic Detective Fiction. Every clue is also a sign to be interpreted: hoofprints, hair, a closed window, a bloody cloth, coded notes, library inscriptions, hallucinations, sexual shame, and Revelation imagery all compete for meaning. The book’s force comes from making the reader feel both the attraction and danger of interpretation.

The source also treats the abbey as a political and theological machine. Knowledge Monopoly appears through the library’s restricted access and hidden catalogue; Laughter Against Authority appears through 豪尔赫 / Jorge of Burgos’s resistance to comedy and William’s defense of laughter as compatible with truth.

54.玫瑰的名字(下):真与假,正与邪,诠释与过度诠释 completes the novel’s branch by revealing the poisoned 亚里士多德《诗学》第二卷 / Aristotle’s Poetics Book II, Jorge’s long control of the monastery, and the false comfort of the apparent Revelation murder pattern. The ending makes the novel both Semiotic Detective Fiction and Anti-Detective Fiction: it satisfies the need for a solution while showing that a brilliant pattern can be a seductive overreading.

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